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Ms. Eli Cedrone

How to Inflate Your Life Raft

Ms. Eli Cedrone · Jun 17, 2019 · Leave a Comment

Let me begin by saying that 2018 was the most challenging year of my life. Through a series of mind-expanding experiences and difficult decisions, I made some big changes. The brain is a very flexible tool. A curious phenomenon takes place when we venture beyond our limitations. It’s like pulling the cord on an inflatable life raft – once expanded it’s hard to shove it back into its original shape.

“Realism is not based on the way things are, but upon things as you see and feel them”

– Charles Woodbury
  • View of Elbow Beach, Bermuda
  • At Gallery One Seventeen, Hamilton Bermuda
“Horseshoe Beach, Bermuda” by Eli Cedrone

Elizabeth Gilbert once said that the best gifts she’d ever received were questions she couldn’t dodge. Good questions are better than good answers, in that they give us purpose. I’m basically a pleasure-centered person, the fear of being uncomfortable is a very palpable thing. But I went in search of something beyond the life I’d known.  My fear of failure was overshadowed by the realization that life is a gift, we have to make the most of it and not waste a moment. I took a leap of faith and let the universe direct me with a trust in the knowledge that I’m not in the driver’s seat as much as I’d like to believe.

“North Shore Road, Bermuda” by Eli Cedrone

“It’s easier to paint the angel’s feet in another’s masterwork than to discover where the angels live within yourself.”

– Art and Fear

In many ways the creative process is a metaphor for life: it’s letting go of fear, trusting in our abilities, and accepting our “mistakes” with patience. It’s also about asking tough questions. It’s problem solving on a visual level and the reality that painting is not a mindless escape. It takes a highly evolved, series of mental maneuvers to create a great work. That being said, believing that every painting you make must be absolutely perfect is an unrealistic goal. You’re never going to achieve it, so you become too scared to even try. Instead of aiming for perfection, strive for every painting to teach you something and learn from your mistakes.

“Hog Penny Pub, Bermuda”
by Eli Cedrone

I spent a lot of time in Bermuda over the past year, teaching and painting. The most satisfying thing about teaching is that I get to help people step outside of their comfort zones and stray from their intellectual neighborhoods long enough to learn something new. The first challenge is to break down the psychological barrier that you must be born with the ability to draw or paint. Art is a universal language and it is so because it’s the expression of the feelings of all people. The word ‘truth’ is often used in the discussion of painting. It speaks of the creative process as a soulful act. The power of seeing the world in the most truthful of ways requires extraordinary intuition, an insight into subjects which are dark to ordinary vision. Creativity is about engaging with the world and awakening an emotion in ourselves and in the minds of others.

“Have no fear of perfection – you’ll never reach it”

– Salvador Dali

One of the most talented artists I’ve had the pleasure to meet was Nancy Guzik (married to Richard Schmid, another huge influence). While painting together on a cold winter day in Brattleboro, Vermont she compared the process of painting to a horse race. It’s important to pace yourself; lay in a good foundation, maneuver through the painting with confidence and skill and hold back till the finish line is in sight. This resonated with me because as in life, I lack patience and want to get to the good stuff first. The creative process does not come easy, it takes real effort to move beyond mediocrity. As is the case with professional athletes, musicians and great artists, this “ease” comes from years of hard work and practice. Our ego wants it easy. In reality nothing worth doing ever is.

I hope you’ll join me for a workshop in 2019. Visit www.elicedrone.com for my workshop schedule

Musings on a winter day…

Ms. Eli Cedrone · Jan 23, 2017 · 8 Comments

Winter’s Eve by Eli Cedrone
8×10

“Even the strongest blizzard begins with a single snowflake.”
~ Sara Raasch

And so it is with painting; the first stroke on a blank canvas is like that single snowflake. The tabula rasa… the promise it holds, is built on the premise that all knowledge comes from experience or perception.
Art is the external expression of the intuition. As artists we are constructing an imagined thing. Each stroke building upon the last until form and content are in correct relation to each other and the idea is clearly expressed.
“Mere copying of nature is not an expression of emotion.
Raw emotion, without rules of academic correctness to govern its output,
just produces nonsense. Great art, can only come when creativity
is tempered by taste, when the design is conscious, and when the form
is uniquely suited to the ideas presented.”

Shakespeare said that art is a mirror held up to nature. Yet if the making of art was limited to just copying, then nature would surely eclipse any effort of the artist. The artist’s interpretive vision would be lost in the cold reflection and recording of external facts. Reality is obtained not by copying but by interpreting. Even in painting the portrait, the artist must fix in his mind the quality, the character, the very soul of the person before him.
In Her Calm Gaze, by Eli Cedrone
12×16

The transcending of art above nature is an age old discussion. Aristotle with his idealistic view, was likely the first to claim that true art is an improvement upon nature and that man must be depicted not as he is but as he ought to be. Realists believed that only common depictions of life offered an enlightened view of reality. But even this belief doesn’t destroy the presence of artistic quality in their work. An internal vision along with the external, skill of execution is required for all true Art.
“Seek first for absolute truth of value and color,
and paint this truth in the simplest and most direct way.”

The mechanics of picture-making, require a mastery of the basic principles. There are no great secrets, simply a commitment to careful observation and mindful, sincere rendering. Painting is a fusion of the external; skill of execution and the internal; vision or intuition. It requires an understanding of who we are and who we are becoming. An unfolding of the mind with each new experience.
Mysticism teaches that everything in the physical world has a parallel in the spiritual. Baltus said; “A spiritual stroke, correctly placed is beyond calculation.” This belief resonates with me; it suggests that something outside of our unique experience and knowledge is at work. That the hand of the artist is guided by the mind as well as the spirit.
As with snowflakes; we all have our unique experiences. But maybe the accumulation of human experience is like a blizzard, resulting in what Jung called the collective unconscious. When a painting transcends or inspires, perhaps it has struck that universal chord.

Learning never exhausts the mind…

Ms. Eli Cedrone · Aug 29, 2016 · Leave a Comment

Making a copy of Sargent's Oyster Gatherer’s at the MFA Boston
Eli Cedrone making a copy of Sargent’s Oyster Gatherer’s at the MFA Boston

This quote by Leonardo da Vinci may seem contradictory to anyone who has endeavored to learn the skills necessary for representational painting. Whether a student or seasoned artist, the process of learning will test your patience to the point of insanity. Even Sargent had his difficulties, and issued forth a sort of battle cry of “demons, demons,” with which he would dash at his canvas.

Patience is a crucial element in learning to paint. One of the most encouraging things I learned was from Richard Schmid. His belief that painting is a craft which requires practice but above all patience, really set me free from negative thoughts. Much like learning to play the piano or becoming a champion athlete, it’s important not to blame ourselves when our skills don’t quite match our visions. Another mentor was John Terelak, the great Cape Ann painter and instructor. At that point in my journey, I felt my work was not good enough to share with the public and John instilled in me the need to believe in myself. He explained that learning is a life-long pursuit, our work is ever evolving and improving – your best effort is all that’s required.

Michael James, 8x10 by Eli Cedrone
Michael James, 8×10 by Eli Cedrone

“I do not judge, I only chronicle.”
I will never forget my first painting event, I was in way over my head but felt I should challenge myself. In spite of this, I must’ve looked like I belonged there as a fellow painter soon joined me at my chosen location. I was lucky that she quickly recognized that I had no idea what the hell I was doing. With some helpful tips I was able to make it through the day and although my painting was amateurish I was hooked on painting outdoors.

After nearly 30 years at the easel, I continue to have moments of frustration and self doubt. It sometimes feels as if the more I know, the less I realize I know… if you know what I mean. These moments of fear and doubt can lead to a creative block. Sometimes we spend more time gaining theoretical knowledge and not enough time actually painting. Nearly every artist I know has gone through this and the best way to overcome it is to push through and keep painting. When our skills become intuitive much like muscle memory, then our ideas and the execution of those ideas are synthesized.

The Alehouse 8x10, Eli Cedrone
The Alehouse 8×10, Eli Cedrone

Developing patience requires having faith that eventually, you will get there. Seek out the support and exchange of ideas of fellow painters, especially those who are on the same creative path, and learn from their mistakes and successes. Celebrate small victories and breakthroughs when you’re learning the process, and allow those achievements to get you to the next level.

The Academy of Realist Art, Boston
The Academy of Realist Art, Boston

Recently, I felt the need to return to a more academic approach to painting by attending the Academy of Realist Art in Boston. The Academy teaches traditional techniques, modeled on 19th century French academies. The focus was on creating the color study which is a preliminary oil sketch that determines specific colors and establishes, in the most simplified manner, the value range that will best achieve a light effect and create volume. It gave me a greater understanding of how to simplify planes, properly compose values and create color harmony. The Academy proved to be exactly where I needed to be in order to hone my draftsmanship and painting skills. So never feel as though you’ve moved beyond a specific level, it’s always good to revisit the fundamentals.

Paint from life as often as you can and carry a sketchbook with you at all times. Changing disciplines from portraiture to landscape, still life to painting the figure is also beneficial as each provides something different to consider in terms of design, form, value and color.
I visit museums often and carry a sketch book to “deconstruct” or make value studies of masterworks. So much can be learned from this practice. I also attend artist demonstrations and visit the studios of painters I admire whenever an invitation is extended.

Rob Liberace Workshop, 2014
Rob Liberace Workshop, 2014
Mia Figlia 16×20, Eli Cedrone
painting at Charles Hawthorne Barn, Provincetown 2014, Photo by Julia Cumes.
Painting at Charles Hawthorne Barn, Provincetown 2014, Photo by Julia Cumes.

“Cultivate an ever continuous power of observation…
be always ready to make slight notes of postures, groups and incidents”

In regards to workshops, choose someone who embodies your values and approach to painting. Nearly 20 years ago I studied with a wonderful teacher who felt that taking workshops with seasoned (or celebrity artists as he called them) was like trying to pick up a “bag of tricks”. Although this is true to some degree, watching a master painter at work is a tremendously useful way to learn. Just be careful not to be so influenced as to believe that technique or mannerism is the path to good painting. Honesty is the true path to yourself and your own expressive voice.

Eli Cedrone painting In Bermuda
Eli Cedrone painting In Bermuda

“Above all things get abroad, see the sunlight and everything that is to be seen.”

As many of you know I love to travel and just returned from teaching a workshop in Italy. For me, there is no better way to arouse the senses than through visiting new places. Travel offers a diversity of landscapes, architecture and people. It’s always an awe-inspiring and enriching experience and a sure way to break free from old habits.
For more information, please visit my website www.elicedrone.com
All quotes by John Singer Sargent

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