Below are photos from Oil Painters of America’s Twenty-third Annual National Exhibition, which was held at The Bennington Center for the Arts in Bennington, Vermont.
To see all photos taken at the 2014 National Exhibition, click here.
2014 Spring Online Showcase Winners Spotlight
The OPA Spring 2014 Online Showcase was held from March 1 to May 17, 2014, open to Associate members only and awarding $5,000 in cash awards. The Online Showcase runs three times each year and is completely digital competition held at www.opaonlineshowcase.com for only $14 per entry, with no limit to the number of entries allowed.
These award comments are thanks to our Spring Online Showcase judge, OPA Signature member Tim Deibler.
The Summer 2014 Online Showcase runs from June 1 to August 15, 2014 and is open to OPA Associate members. Enter Today!

by Tina Garrett
24 x 20 Oil
First Place Tina Garrett “Gaze”
This work caught my attention the first moment I saw it on the monitor. The expression “one in a million” kind of describes my feelings for this piece. The artist’s skill in portraying this rather unusual subject is nothing short of masterful. This has been painted as the eye would see it rather than how a camera would see it. The most intense color and sharpest details are on the face. The more you move from this area the less obvious things become. The accuracy and delicacy of the floral pattern is still distinct, but does not compete with the face or the frame. The background has totally gone out of focus making the figure even more dimensional giving it the feeling of existing in real space. The drawing is impeccable, the edges amazing and the color harmonies are beautiful.

by Robert Christian Hemme
9 x 12 Oil
Second Place Robert Hemme “Global 1200”
I found this painting totally fascinating and returned to it over and over. The artist’s sensitivity to form and light combined with the very careful use of values and edges makes this an amazing piece. The limited use of color makes the sense of atmosphere so strong that I feel like I am there observing the scene. Because of the careful use of values and temperatures, all of the little railings and details give reality and dimension to the scene without distracting from the larger shapes

by Nancy Boren
20 x 16 Oil
Third Place Nancy Boren “Stepping Out”
The various textures and the strong sense of light and shadow are what I really admire in this piece. The artist has created a visual experience that almost rivals reality. The mane feels like it has just been combed and braided, I can feel the various textures in the head piece that has just been tied on. The leather bridle, the abstracted and unfinished ground and of course the warm sunlight. The exceptional drawing and the energetic brushstrokes literally transports me to the scene, I feel the sun, I can run my fingers through the mane and I hear the surrounding sounds.

by Christina Grace Mastrangelo
30″ x 50″ Oil
Honorable Mention Christina Mastrangelo “America’s Cup”
My favorite part of this painting is the artist’s amazing ability to guide us through the scene through the use of white. The white sails, the white stripes of the flag, the white candle and finally the white book. The shallow depth of field, the careful use of hard edges, limited color range, accurate drawing and almost theatrical lighting make this a very powerful painting. It is her careful use of values and temperatures that makes this piece worth serious study. What color is white you may ask?

by Doohong Min
30 x 24 Oil
Honorable Mention Doohong Min “Brunch”
This painting is all about mood. It creates a sense of warmth and intimacy. The softness of the edges, the backlighting of the figure, the subtle and beautiful blue and orange color harmonies create this feeling. The artist’s sensitivity is wonderfully conveyed in a very personal way.

by Loretta Fasan
24″ x 30″ Oil
Honorable Mention Loretta Fasan “Costume”
This painting has a real WOW factor to it. This painting radiates with light and warmth. I love the beautiful and delicate way the face is treated. The various textures that surround the face add excitement to the work but does not over shadow the beauty and sensitivity of the portrait. The sense of design, the rich fiery color and the skill of the artist make this one of the most unforgettable images I’ve ever seen.

by Michael DeVore
24″ x 24″ Oil
Honorable Mention Michael DeVore “Pueblo Pot”
The simplicity of the design along with the beautiful drawing and value arrangement caught my attention on this piece. What the artist has created feels so real and natural, that I believe I could walk around the corner and see it. It doesn’t feel forced, contrived or staged. The colors harmonize, the pottery has weight and dimension, the whites are different and beautifully painted. The artist has skillfully created a sense of reality on the canvas using a bare minimum of shapes, values and colors.

by Karen Blackwood
18″ x 24″ Oil
Honorable Mention Karen Blackwood “After The Storm”
Once again this artist has managed to transport me from my home in Colorado to the ocean. Through the controlled use of shapes, values, minimal color and edges, the artist has created a scene so real and vivid that I want to go and get a jacket. With only a few mid values and a single dark mass, this piece is basically a symphony in white. The control of values and temperatures in the white and the use of soft edges make this a piece I will be personally studying for a long time.

by Scott Johnston
30- x 24- Oil
Honorable Mention Scott Johnston “Peter Devine”
Another example of impeccable drawing, superb value control and minimal color. This painting is so real and life like that I keep expecting it to start talking to me. The textures of skin, hair, material and paper are all so realistically portrayed that it leaves me speechless.

by Vicki Walker
20″ x 16″ Oil
Honorable Mention Vicki Walker “Similarities”
The artist has simply and beautifully captured the innocence of childhood. The blue dress act as the compliment to the child’s reddish orange hair and the orange. The simplicity of the background enhances the simple beauty of the child and her clothing. I like the way the sense of light and shadow has been handled, staying away from strong value contrasts.

by Zimou Tan
48 x 72 Oil
Honorable Mention Zimou Tan “Relief”
It would be difficult to find the words to express all of the human emotions that the artist has expressed in this painting. Looking at it from an artistic point, I find the drawing and the arrangements of all the various bodies very intriguing. This complex composition highlights the artist’s drawing and composing skills to the max. The individual expressions, subtle color and tone shifts and superb paint handling make this a truly remarkable painting.

by Sergio Roffo
24″ x 36 Oil
Honorable Mention Sergio Roffo “Spring Covering”
This is an excellent example of a painting that is full of light and air. This piece has beautiful color, a wonderful sense of depth through careful value, color and detail gradations. The placement of the rock and the way it is painted leaves no doubt to the focal point of this piece. I was enjoying the sunshine on the rock and water long before I even noticed the town in the background.

by George Bodine
24″ x 36″ Oil
Honorable Mention George Bodine “Alley Chef – Paris, Artist’s Copy”
I really like the originality of this kitchen piece. I actually feel like I am peaking through the window and seeing a chef busily at work. The composition is perfect down to the tiniest detail of the most unimportant article. The artist has created the mood and atmosphere using carefully designed values and shapes.
Cincinnati Paint Out
The OPA Paint Out experience was absolutely WONDERFUL! I enjoyed hosting the event and would do it again in a heart beat. The best part of it all was meeting with the artists, listening to what they had to say, seeing what they painted and being able to introduce them to OPA.
Everyone had a wonderful time on day one of the event, so much so that we extended it to our rain date event the following weekend. Everyone was thrilled to say the least and it all evolved the more it went on. We held an Artist reception and opening with live Celtic music and everyone was thrilled and asked that we do it again next year.
Many thanks for allowing us to participate, it was a life enriching experience!
2013 Fall Online Showcase Winners Spotlight
Adam Clague Adam Clague studied at Pensacola Christian College, where he received instruction from master artist Brian Jekel and earned a Master of Fine Arts degree. Adam now lives near Kansas City, Missouri and enjoys the adventure of pursuing art with his wife and fellow painter, Andrea Orr Clague.
Adam is a member of the Oil Painters of America and the Missouri Valley Impressionist Society. In 2012, he was chosen for Southwest Art Magazine’s annual “21 Under 31” feature. His work has received national awards, including First Place in the 2011 Laumeister Competition, Portrait Award of Excellence in the 2013 OPA National Exhibition, and a Merit Award in the 2013 Scottsdale Salon. Adam’s work is represented by Hudson Fine Art in Ohio and Augusta Wood in Missouri.
Adam is grateful for the opportunity to paint the beauty of God’s creation. He hopes to share that beauty with others and seeks to glorify the Lord through his work and life.
www.adamclague.com
The artwork of Bruce I. Petrie, Jr. began with an early enjoyment of drawing and caricature–a curious eye for what gives anything, anyplace or anyone its unique character.
In college, graduate school and years following, he pursued free lance illustration, caricature and editorial cartooning, producing a portfolio of several hundred published and reproduced works. In 1989, he began oil painting with American Master Thomas Buechner in the beautiful Finger Lakes Region of Upstate New York.
Over the years since, Bruce has refined his skills through many hours of painting outdoors directly from nature. His easel has traveled across the United States and in France, Italy, Canada, Mexico and Guatemala. He paints in the parklands and natural areas near his home in Cincinnati, as well as in Southwestern Ohio, Northern Michigan, Upstate New York and the American West. He is a member of a guild of artists who meet and draw weekly in Cincinnati and share a dedication to carrying on classical disciplines of direct drawing and painting. His artwork is regularly shown and is held in distinguished private collections.
In a style that blends classical methods with the freedom of the outdoors , the artwork of Bruce I. Petrie, Jr. still draws on his early eye for character within the subject-that substance and spirit which makes the landscape, the natural object or the person distinct and humane.
www.brucepetrie.com
A professional artist all of his adult life, James Crandall worked as a concept illustrator in the advertising and entertainment industry for decades, but has now turned his full attention to easel painting.
At home in northern California and on travels in the southwest U.S. and Europe, he finds subject matter in everyday life, and is always looking for an intriguing play of light or the unstaged gestures of people at work or play.
An ongoing series of paintings depicts life in his maternal grandfather’s hometown of Lucca in northern Tuscany. Living abroad for months at a time, he does sketches and collects reference for studio paintings to be done back in the States.
His work has earned him a growing reputation in the traditional market, with a wall of awards and almost routine inclusion in juried exhibitions. His recent solo show at the Lee Youngman Galleries in Calistoga, California saw a third of the paintings sold before the opening reception.
He has been an Artist Member of the California Art Club for over 15 years, and was recently elevated to Signature status by the Oil Painters of America.
jamescrandall.fineartstudioonline.com
James E. Tennison graduated from the Art Center College of Design in Pasadena, California in 1982. He cites his time at Art Center, where he studied under such artists as Dan McCaw and John Asaro, as his most formative educational experience. After graduating, he spent several years as a freelance illustrator, eventually making the transition from illustration to portraiture and fine art.
Inspired by local geography, neighborhoods and landmarks in his hometown of Fort Worth, Texas – as well as subjects he finds on his travels – James seeks to paint the beauty he sees all around. He is particularly excited by the effect of light – sunlight and shadow – and the colors that can be seen in shadows and reflected light if one looks closely.
Tennison’s paintings have been exhibited in galleries throughout the United States, including the Salmagundi Art Club in New York City, the Legacy Gallery in Scottsdale, Arizona, Howard/Mandville Gallery in Kirkland, Washington and Galerie Kornye West in Fort Worth, Texas. He has participated in many group shows and competitions and has had a one man show titled “A Year In Fort Worth”.
His portrait commissions have taken him across the United States and to England. His commissions include the official portrait of former Texas Governor Ann Richards, which hangs in the state capitol in Austin. He has painted portraits for Harvard University, Southern Methodist University, Texas Christian University, The National Cancer Institute, the New York County Lawyer’s Association as well as many other public and private collections.
His awards include the Salmagundi Art Club Purchase Prize, the People’s Choice and First Honor Awards at the Portrait Society of America’s International Competition, the RayMar Art Competition Best of Show Award and the Oil Painters of America Online Showcase Silver Medal.
www.jamestennison.com
Jeff Merrill comes from the quiet solitude of Idaho and has always been sensitive to the beauty around him. After living in Spain for two years as a missionary he returned to study illustration at Brigham Young University. He worked as an illustrator for more than a decade before marrying and starting a family. In 2011, he completed an M.F.A in figure painting at the Academy of Art University in San Francisco. There he was able to study with many inspirational teachers including Zhaoming Wu, Baoping Chen, and Huihan Liu, among others. Although, his primary passion is the human figure, he loves plein air painting and its implicit challenges. “I paint outside to hone my skills, of simplifying shapes, perceiving color, and visual expression. It helps me focus in the studio and keep my eyes fresh.” Jeff is currently a Professor of drawing and painting at BYU-Hawaii, where he lives with his wife and three children.
Of his process he states, “My primary focus in painting is founded in the principles and elements of design. I paint things because they move me but I strive to present them in a compelling and balanced way. Much of my motivation to paint comes from the inherent duality of the painting process. On one hand, it’s incredibly abstract and disorganized, but on the other hand it has beautiful purpose and strength when it maintains its representational integrity. Working within these two forces creates a sort of reconciliation of opposites. It moves me to find solutions that satisfy my desire to balance these disparate elements. Beyond the technical processes of painting my ultimate goal is to express in visual terms something that isn’t readily definable in words. This involves beauty and truth, introspection and observation, as well as our own mortality and eternal purpose.”
www.jeffmerrill.com
“Art has always been my passion. Throughout my life, I have always tried to involve myself in art.” Kathryn Miller spent 14 years travelling the world as a flight attendant. This gave her the opportunity to see first-hand the artistic creations of many cultures, from the beauty of the temples of India to the Louvre. These experiences nurtured her instinctive desire for creativity.
Sculpture and oil painting have been the media in which she has concentrated. Although she has been painting for a number of years, it was not until recently, that she has been able to devote full-time to this pursuit. She finds it challenging and a constant learning experience. “I am a studio artist; a still-life painter. My work is about the passion I feel for painting. Every time I sit down at the easel, it feels as if I have come home. The peacefulness of my studio and the light and shadow from the north-facing windows, inspire me.”
After taking a still life seminar in 1995, she realized that she found her artistic passion. “I decided at that point to commit my energy to becoming a still life artist.” While still life remains her main focus, plein-aire and portraiture are of interest to her.
Since 1995, Kathryn has studied with several well-regarded artists. “I have been fortunate to have accomplished artists as my mentors. But even more so, I am lucky to have had their support, friendship and encouragement. She continues to participate regularly in workshops and seminars. “I can never learn enough about art.”
She has been a member of Oil Painters of America (OPA) since 1999. In 2001, the OPA awarded her Signature Member status. She has exhibited in four national OPA shows, receiving an Award of Excellence at the Palm Springs OPA Show in April 2001 and the Missoula Montana OPA Show in May, 2006, as well as the Friends of OPA Award of Excellence at the Chicago OPA Show in May, 2002. She also received an Honorable Mention in the Greenhouse Gallery International Salon Show in May, 2003. Most recently, she was awarded 3rd place in the Oil Painters of America 2013 Fall Signature and Associate Online Showcase.
Her work was featured in Southwest Art Magazine’s “Artists To Watch” in April 2001.
Kathryn’s work is about the passion she feels for painting. “That someone would feel a connection to a painting that I created gratifies me.”
In addition to the paintings, Kathryn also creates frames in a style known as sgrafitto, a 15th century technique used by many of the Dutch and Italian masters of that time.
Kathryn Miller is represented by New Masters Gallery (www.newmastersgallery.com) in Carmel, California and by Jones and Terwillger Gallery (www.jones-terwilliger-galleries.com) in Palm Desert, California.
www.kathrynamiller.com
Tampa Paintout
Once artists were greeted at the Santaella with fresh hot coffee, restaurant guides and maps they hit the streets. Katie and Susie camped out all day on colorful Main Street. At lunch break they had Iconic Cuban Sandwiches, Cuban coffee & flan for dessert and Katie ordered a holiday pig. Elizabeth found, one of many cool Cigar Factories, with a tower and palm trees. The Cigar Factory Foreman would climb the tower to watch for their ships coming up the Hillsborough River, flying the Cigar Factory Flag. They would then send the horses and carriage to collect the tobacco. Kathy painted the local life of a man painting his fence and porch. David captured the lovely old colorful bungalows both morning and afternoon. Nathan painted a well known street corner in the morning and broke to teach two students from the Vosler Young Artists’ Studio, Sophia and Kate, how to draw buildings. He did a afternoon painting of the long green house. Many arts patrons came from near and far to watch our artists at work. Paintings were sold and the artists were inspired. Eddie provided live music all afternoon throughout the wine and cheese reception at the end of the day. Robert Sargent Photography took our final photo of us with our wet paintings.
Next year we have an even bigger event planned. Now that we have made friends with our local community we will do a paint out in early Spring of 2015. This event will include a live wet paint auction at the end of the day for Art Collectors at the Santaella Studios for the ARTS.
- Participants
- Artists
- Susie Covert
- Katie Cundiff
- Kavid Kent
- Kathy Baird
- Elizabeth Jennis
- Nathan Seay
- Kerry Vosler
- Sophia
- Kate
- Music
- Eddie Deville
- Assestants
- James Vosler
- Scott Vosler