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Search Results for: LYn boyer

The Artful Sage: A tribute to the wisdom of Lyn Boyer OPA

Oil Painters of America · Feb 12, 2024 · 7 Comments

“Carve your name on hearts, not tombstones. A legacy is etched into the minds of others and the stories they share about you.” —Author Shannon L. Alder  

In 2023, we sadly bid farewell to Signature artist Lyn Boyer, a luminary member of the art community. 

It’s rare to find a person like Lyn whose life and passing has had such an undeniable ripple effect on so many people – too many to even fathom. Her positive nature and compassionate soul inspired and encouraged others to do the same. She was wise beyond her years and understood the value of having deep, meaningful friendships, of which she had many. A highly accomplished artist, with a closet full of award ribbons to prove it, Lyn was a consummate professional and sought-after instructor throughout her career. She loved being an artist and knew how fortunate she was to be able to paint and travel for a living.    

This blog article shares some personal recollections by many of Lyn’s closest friends, reflecting on the extraordinary legacy that she left behind, not only through her art but by the many hearts she touched along the way.  

Havana Nights by Lyn Boyer OPA, 14″x18” oil on linen panel – Award of Excellence / Plein Air Salon Best Vehicle
The Muse by Lyn Boyer OPA, 36″x24” oil on linen panel – OPA National Exhibition

Shelby Keefe OPA

Call me one of the Lucky Ones. I got to be pretty close to this awesome, uber-talented, funny, smart, and seriously capable gal. You ask what I’ve learned from her—well, pretty much a whole ton of stuff! Top of the list is how she inspires me, to this day, to be a CAN-DO single woman in a complicated world making a living in this tricky art business. Hanging around her, looking at her paintings, and observing how professional she was in all aspects of the business pushed me to work harder at upping my own oil painting game. Her lifetime of accomplishments inspire me not to shy away from the hard stuff, like learning a new skill (playing the bass guitar) or taking on the big challenges (operating a Class B motorhome!) She taught me to trust in my own talents and instincts, take risks, and to jump in with both feet to live an interesting and fulfilling life. Now that she’s physically not here, I guess I’ll be camping without her—at least I know she’ll be traveling with me in spirit!  

Door County Plein Air Invitational – Left to right: Shar Coulson, Michele Byrne, D.K. Palecek, Shelby Keefe, Lyn Boyer
Last One Up by Lyn Boyer OPA, 24″x18”, oil on linen panel – OPA Award of Excellence  

Brenda Smaston  

I learned so much from the beautiful and incredibly talented Lyn Boyer, about art and life. “Don’t pet the kitty!” Resist picking at the canvas – I’m sure we all can relate to this!  This was one of her big principles. I think this applies to life, too. Learn when to let things go. “If the composition isn’t good, the painting won’t be either.” If the foundation isn’t good, you can’t build anything solid. That’s life and relationships. “A lot has to do with the love we pour into a painting.” That applies to the people in our lives, too. “Man up, quit the blubbering and figure out how to face whatever it is.” Life is hard. Be strong. Hit it head on. “Create, enjoy and appreciate beauty.” Whether an artist, one who plays with paint or a collector of art – it touches and connects us all on a deep human level.  The one I’ve learned since she died is “You can’t make old friends.” We will have lots of acquaintances in life but few real friends. They’re the ones that tell you the truth. Treasure them. Make time for them. Life is short the older we get.

Lyn Boyer was a true inspiration. There wasn’t anything she couldn’t do, if she set her mind to it. What an amazing example she was in the art world and as a human being. May we all find that strength, grit and determination in search of the beauty in our art, and in our lives. 

Classical Gas by Lyn Boyer OPA, oil on linen, 8″x10” – plein air

Jane Hunt OPA

With Lyn I felt completely seen, understood, and loved. We spent countless hours seamlessly switching from intense philosophical discussions to wildly inappropriate jokes. She was witty, insightful, generous, and unwavering in her values. Lyn fundamentally changed and inspired me as a person, and she taught me what deep, true friendship feels like. Some of my favorite Lyn insights: “Do not confuse what you do with who you are,” “Embrace JOMO (joy of missing out),” and “Sometimes when you’re in a big flock of seagulls, all scrapping over the same filthy french fry, you may be wise to fly down the beach a little…who knows, you may even discover an onion ring over there”.  

Lyn painted this incredible painting while talking, and joking on the phone for five hours with Jane Hunt – that’s how masterful she was. Bean “the wonder dog” was featured in Lyn’s wise and witty OPA blog posts: https://www.oilpaintersofamerica.com/?s=LYn+boyer

Eric Rhoads   

When Lyn walked into a room, her energy and smile dominated the room. She never had anything negative to say. Instead, she always made you feel better. She was always encouraging. Even through tough discussions, she made you feel wonderful. I got to know her extensively because of the time we spent together recording her videos, and her appearances at our events. When you spend a lot of time with someone, you often discover their dark side or their true personality. With Lyn, you always got the upbeat, happy, silly, encouraging special person.   

She called me in the car after getting out of the hospital from major surgery because she felt she had dropped the ball on a couple of things, and this was her first chance to follow up. She should have been resting, and I told her so, but she was driven to deliver what was expected of her. She was a true pro.  

We painted side by side many times on our Cuba trip, and I discovered that Lyn had become one of my closest friends. We laughed for seven days. I think she made everyone feel she was their closest friend. It wasn’t manipulative; she truly loved everyone.   

1937 Caddy by Lyn Boyer OPA, 9″x12” Oil on panel  – plein air / featured in Plein Air Magazine

Lyn was an exceptional and in-demand teacher. She created two art instruction videos that are still available through Streamline Publishing: https://painttube.tv/products/lyn-boyer-2-video-combo?utm_

Suzie Baker OPA  

Peruse Lyn’s paintings, and it’s intuitively obvious that she was a great artist! Those of us who knew her knew that her character, wit, wisdom, and friendship were greater still. Lyn was a wise soul, authentic and balanced, entirely trustworthy and honorable. She was sincerely enthusiastic about her friends’ accomplishments. No artifice or competitive spirit, just a magnitude of rah-rah support that inspired confidence. Lyn could give an insightful critique like nobody’s business! My Lyn Boyer text chain is full of on-the-spot easel critiques. Because Lyn was so authentically supportive, she also could speak truth into the lives of those around her. I am a better artist and human for having known Lyn Boyer.   

Lyn touched many in the art world and was a joy to be around. Left to right: Barbara Jaenicke, Brienne Brown, Suzie Baker, Lyn Boyer, Jane Hunt, Brenda Boylan

Brenda Boylan  

There is one word that clearly describes our late Lyn Boyer. Solid. She was a respected, strong, and calm force in the plein air artist community and will be sorely missed. When she spoke, it was with gracious wisdom gleaned from her life experiences. My first memory of Lyn was just a short moment in time. We were packing up our painting gear, and I had asked her about her easel. I had never seen one like it. She graciously demoed her “set-up” and tear-down and didn’t hesitate to share her clever equipment hacks. I also remember her musical talent with the mandolin. Through the instruments of paint and music, she shared her life. What a loss to the plein-air art community. May her generous and solid spirit continue to inspire us all to be like Lyn.  

Bella Habana by Lyn Boyer OPA, 24″x12”, oil on linen panel

Bill Cramer OPA  

Lyn and I had many good times painting together at the Grand Canyon, Zion, and Sedona plein air events. Aside from the painting, we enjoyed just taking in the landscape, watching tourists, and discussing all subjects. Her straightforward, no-BS take on things was a revelation. She adjusted my thinking about a lot of things for the better, especially concerning the art world. Mainly, it takes a lot of work, and most of it doesn’t get recognized. That you should just do what you want; otherwise, you won’t really enjoy it. And that the stuff you do outside of art may be as important to your art as doing the art itself. In other words, stepping away from it once in a while. As a fan of the Top Gun movies, she often joked that she was my wingman during the plein air events. In truth, we were both wingmen to each other. I will forever be happy having known her and cherish the memories of our time together.   

Beyond Deadhorse Point by Lyn Boyer OPA, plein air

Lyn was also an accomplished musician who played numerous instruments. She was particularly drawn to Celtic music and played in several bands. Here she is playing her mandolin at the Grand Canyon.

Brienne Brown  

During every conversation I had with Lyn, I would learn a new bit of wisdom. One favorite bit that stuck with me is to value authenticity and being true to oneself in life and art. She lived this way, and I hope to follow her example, even while I miss the sound of her voice and laughter.  

Lyn was fascinated by the connection between visual art and music – seen painting here with one of her musical partners, Dave Curley, of Interplay Artists

For Sale by Owner by Lyn Boyer OPA– 14″x18″ plein air, oil on linen 

Lindsay Jane Ternes  

Lyn was a remarkable human, a true painter, and my beloved mentor/“art mom”. She understood the challenges of being a working artist and mother, and she told me, “You are a lighthouse. Your effort is most potent when concentrated, so you have to teach the people you love that your light will come back around.” I have so much gratitude for this incredible torchbearer who generously passed her light to me and to all who loved her. Whenever I pick up a Rosemary brush, I know I have Lyn with me – and her memory will forever be a blessing and an inspiration.   

Continuance by Lyn Boyer OPA, 24”x34” won Best of Show at the Grand Canyon Celebration of Art

Kyle Denning   

I met Lyn while volunteering as a workshop assistant during the OPA National Convention in St George, UT, a few years back. She dazzled the group by taking a very detailed photo reference of an Italian street scene and using big brushes, palette knives, and spatulas, creating a lovely impressionist rendering without any detail in a matter of minutes.   

Two years ago, on behalf of the Southern Utah Art Guild, I invited Lyn back to St George to do her four-day “No Fear Painting” workshop. As always, she was a delight. I’m convinced Lyn loved teaching more than painting. She had no secrets; she shared everything. She was humble, fun, and funny. Each day, she arrived in the same black shirt. She assured us she was changing her shirt every day, however. “Every shirt I have is black,” she said. “So, I don’t have to think about what to wear.”  

It was a joy to be around Lyn. She lifted the spirits and abilities of all around her. I consider it a cherished blessing to have crossed her path.  

The Covid Years by Lyn Boyer OPA, 24″x36” Oil on linen

Jim DeWildt

Forty two years….where have they gone? Lyn and I go back that far. We met in 1981. I was living in Traverse City, Michigan and Lyn had moved to the area. To be honest, I’m not sure exactly how we met, but I can tell you when I met her and saw the quality of art she was producing I was very impressed. Aside from her art, Lyn was a very warm and extremely likable person. Over the years we would bounce ideas off one another and critiques.

We both taught illustration courses part time at our local community college, NMC. Those were really some fun times. I think we learned as much as the students.

One of the most memorable times we experienced together was the time we spent two weeks in New York at the Illustrators Workshop. It was hosted by some of the top illustrators in the country…Bernie Fuchs, Mark English, Robert Hiendel, Alan Cober, and Bob Peak. I think Lyn and I constantly kept pinching ourselves….it was almost surreal!  –  Meeting our heroes of the business.

Years sure have gone by quickly. Fast forward, Lyn moved to Durango, CO and didn’t want to take anything from her studio (and Lyn had one of the greatest studios around).  Lyn offered her whole studio to me, and I mean the whole studio. All of the furniture, art supplies and even all her original pieces of art she had done for many commercial jobs.  Lyn had one of the largest private art reference libraries and was set up on the dewy decimal system. A side note, I told Lyn, “I will take your original art but will have it for you anytime you want it back”. (She did get them from me a few years later). When I walk into my studio, Lyn is the first person that comes to mind. I know that she is there.  –  I feel her presence.

In 2018, Traverse City was holding its very first Plein Air week long event. Lyn had called to let me know she was going to be in it and she was wondering if I was going to be in it. I think I told her I wasn’t since I had really never done on location painting, also I didn’t paint with oils very often. At that time I was doing quite a bit with scratchboard.  Leave it to Lyn, she talked me into submitting samples and as it turned out I was accepted. Lyn flew into TC and stayed with me and my wife Manie. What a wonderful visit we had that week. To make a long story longer, I was not having the best week with my paintings but Lyn, being the cheerleader that she was, told me to do my scratchboard, (be true to yourself) so on the last day I went out, did three scratchboard pieces and colored them with my oil paints. Oh yea, Lyn was doing absolutely beautiful paintings all week. What a joy and thrill to be witness to such a masterful painter. At the big event Lyn took one of the big awards and much to my surprise, one of my scratchboard pieces took the best TC scene award…..I about fell over.  If it hadn’t been for Lyn cheering me on and constantly reminding me that the judges are always looking for new approaches, I probably would not have ended up with the three scratchboard pieces.

Lyn was that person…..always there for you, cheering you on, building you up and with a smile. I will truly miss that and truly miss her.

Buena Vista Social Club by Lyn Boyer OPA, 16″x20″ Oil on Linen Panel

About Lyn Boyer:   

Lyn was an award-winning plein air and studio oil painter whose works hang in private collections across the United States. After returning from studying art at the Royal Melbourne Institute in Australia, Lyn began her long career as an American illustrator and painter.  

Lyn’s early inspiration came from the great illustrators of the Golden Age of Illustration and their contemporaries, the American and European painters of the late 1800s and early 20th century. She was captivated by not only the power of the images but their story-telling ability. Lyn took the focus, energy, and ability to respond in the moment required in plein air painting and used it to inform and bring life to her studio work.  

A devotion to painting en plein air and teaching took Lyn on the road for much of the year before returning to her studio in Durango, Colorado, for the winter months. Her commitment to teaching began with nearly a decade as an illustration instructor. It continued through her workshops, instructional videos, demonstrations, and private mentoring.   

Lyn’s great passion for certain subjects helped her to paint them with exceptional truth:   

Automobiles: “You can take the girl out of Detroit, but you apparently can’t take Detroit out of the girl. The daughter of an automotive designer and a child of the Motor City, my lifelong love of all things motorized was inevitable.” – Lyn Boyer  

Music: Lyn played eight instruments and managed to bring the common languages of painting and music together through her teaching and other collaborations.  

Animals: “When I come across and choose to paint our fellow creatures, something about their guilelessness sets my world right for a bit. Without them, I think we might forget to continue to try to find our best selves.” – Lyn Boyer  

The West: An accomplished horsewoman, Lyn was so enamored of the west, that twenty years ago, she sold her farm in Michigan, moved to Colorado, and fully immersed herself in western art and lifestyle.  

She could apply herself to make, learn, or fix whatever she set her mind to. She shared her joy and wisdom with those who were fortunate enough to have known her.  

Thanks to all of Lyn’s friends who shared their love for Lyn and how their lives were changed for the better by knowing her. We can all benefit from these great stories and words of wisdom that Lyn shared throughout her life to inspire and motivate us to become the best version of ourselves and to live life to its fullest.  

Lyn’s OPA blog posts: https://www.oilpaintersofamerica.com/?s=LYn+boyer

For more information, and to see remaining available works, go to https://www.artworkarchive.com/profile/lynboyer/collections and https://www.lynboyer.com

Please add your own memories of the inimitable Lyn Boyer in the comments below.

Lyn painting The Feed Mill plein air.
The Feed Mill by Lyn Boyer OPA, oil on linen, plein air

Lyn Boyer

Carrying on the great traditions of representational oil painting and passing that torch to her students are Lyn’s two great passions in life. She is an award-winning plein air and studio oil painter with works that hang in private collections across the United States. After returning from studying art in Melbourne, Australia, Lyn began a 25 year career as an American illustrator and painter, garnering awards from the Oil Painters of America, Fine Art Connoisseur Magazine, Southwest Art, the Society of Illustrators, the Art Directors Club, the Illustrators Workshops, and the American Institute of Graphic Arts.

Lyn’s early inspiration came from the great Illustrators of the Golden Age of Illustration and their contemporaries, the American and European painters of the late 1800’s and early 20th century. She was captivated by not only the power of the images but their story-telling ability. Lyn takes the focus, energy, and ability to respond in the moment required of plein air painting and uses it to inform and bring life to her studio work. Lyn’s devotion to painting ‘en plein air’ takes her on the road for more than half the year before returning to her studio in Durango, Colorado for the winter months. Her commitment to teaching began with nearly a decade as an illustration instructor and now continues through her workshops.

Artist Statement

I paint because it’s necessary. It’s part of my DNA. My North Star. The few times I’ve tried to escape it, it’s always chased me down. I feel whole when I paint, directionless when I don’t. I remember every minute of a day spent painting. It tunes the senses and the soul.

My inspiration comes always from patterns. They are the first things to draw me to a subject. Divisions of space. Light and dark. The subtle and not so subtle. Whether I’m responding to something from the natural world, the world of man or an interesting intersection of the two I’m compelled by a need to capture the moment. I have an overwhelming need to first understand what’s captivated me, second, interact with it using brushes and paint, and finally share the results – my view of the world.

My paintings are always about what compelled me to paint something in the first place. For me, a successful painting is the one that is able to elicit that same feeling in concert with a more personal feeling known only to the viewer. I consider that the completion of a painting.

– Lyn Boyer

Racing in the Dark

LYN BOYER · Jan 11, 2021 · Leave a Comment

The Bird Watcher by © Lyn Boyer
9″ x 12″ – Oil on linen
Oil Painters of America National Wet Paint Competition 2020 – Award of Merit

Meet Bean, a diminutive black rescue dog with a randomly crooked smile. Bat Dog impersonator, she races the wind cape flying – when she’s wearing one, and in her mind, I’m sure of it, when she’s not. Bean races. In the dark.

As artists, we may on occasion run headlong into a period of personal darkness. Creativity slips through our fingers, we instinctively tighten our grip and plunge over an emotional cliff, watching the last vestige of inspiration fade like smoke. Darkness closes in.

THE DOOM WHISPERERS

What just happened? Our sextant failed us and we lost sight of our North Star. We lost trust in our instincts. We lost faith in the wind of our spirit and started believing the Doom Whisperers. They’re like orcs…small, truly ugly, and out to suck the joy out of you. Anything or anyone who makes you doubt yourself, including yourself, is brokering doom. If we fall for it we furl our sails, cling to the mast, and start playing defense.

WIN THE DAY

How do we win back the day? We have two choices. Wait it out. Or, learn the art of racing in the dark. I’m not into wasting life, so waiting it out seems like a less than optimal option. I’m opting for racing in the dark. So, how do we go about winning the day in the middle of a pitch-dark night. And I mean win the day literally. Win the return of light, creative inspiration, excitement, and forward motion.  The wisdom of a diminutive dog has taught me we can play offense even before the light returns. We can race in the dark.

LESSONS ON RACING IN THE DARK

During an Excellent Adventure at the mostly abandoned dog park, Amanda, Bean dog’s mom, donned a headlamp, clipped on Bean’s night beacon, and unclipped the leash. In the face of darkness, the beaconed Bean flew off into the night at top speed. Uphill, downhill, then circling like a drone creating sky art on the 4th of July. The Bat Dog impersonator then sped back to the safe harbor of Amanda’s headlamp before heading off to race in the darkness again.

That blow-out-the-carbs headlong dive into happiness, smack in the middle of darkness, suddenly seemed way more attractive than my own personal darkness, the creative malaise I’d been blindly stumbling around in. Either I needed to become a dog, or learn to approach life more like a dog. I set about to apply the lessons of how Bean, apparently a Yoda among dogs, transmuted darkness into light.

1. The Night is Your Friend

Our artistic careers will cycle through day and night. Success and Sabbatical. Get used to the nights. Night is a friend, not an enemy. We can learn to love night as well as day. The air is cool. The sky is full of stars. Night is mysterious and holds different possibilities than day. Night is not so crowded with other people’s thoughts and opinions. It gives us a chance to return to our own instincts. We can learn to trust our inner creative voice again.  We can find images floating at the boundaries of consciousness that want to be painted. Truly authentic creations, not images contrived to sell, win, or impress.

2. Count to Ten

If you feel like you’ve been plunged kicking and screaming into a creative night, give yourself a minute.  Take a breath. Count to ten. Grant permission to set your brushes aside temporarily while your inner eye adjusts to the darkness. It’s time for a bit of nuance. If we can overcome the paralysis and sense of dread being plunged into creative darkness brings we win the option of learning to race in the dark instead. Play in the dark even. Look up at your figurative night sky. Stars! Stars can guide us home. Use the nuance of your new night vision.

3. Rocks aren’t Bears

Use lessons you learned during your artistic daytime to help guide you during your artistic night. Bean learned while racing in the daylight that the rocks she would bound off racing in the dark were indeed rocks, not bears. When you are trying to navigate creative darkness, realize that something that appears to be a looming bear might just be a rock. It not only isn’t going to eat you, you might be able to turn the rock into a launching pad for an exciting new direction.

4. Find your Lighthouse

Part of Bean’s bravery came from knowing that there was a light to guide her home. The beacon of Amanda’s headlamp was the safe harbor to circle back to in the dark before launching out on yet another adventure.  It takes a bit more energy to race in the dark, so find your personal lighthouse. It will guide you into harbor.  Fill it with whatever things feed your soul and put wind in your sails. When a beacon lights your way, you won’t have to search for ideas. The ideas will find you.

May you find creative adventures and the fun of racing in the dark!

– Lyn

NEW RELEASE – Liliedahl Art Video | “No Fear Oil Painting”™ – A Guide to Creative Brush Handling | with Lyn Boyer – Music by Dave Curley

www.lynboyer.com
www.interplayartists.com

Welcome to Ground Hog Day

LYN BOYER · Jun 29, 2020 · Leave a Comment

Some years ago I went through a period where a recurring element not only kept re-appearing in my paintings but would re-appear in pretty much the same location. It was utterly unconscious – and a bit disturbing – a glitch in the Matrix. It felt like waking up in the movie ‘Ground Hog Day’.

I was not only disturbed by it I was deeply curious about it. The answer as to why it was happening turned out to not be rocket science. I had found something that worked and the brain loves a well-paved highway. It was a safe solution. I could get myself a guaranteed pat on the back – even if it was only me standing back thinking, ‘Hey, that’s not too bad!’

Paralyzed by Applause…

As beings, we are deeply risk-averse. Our default is to seek safety – to repeat the thing that worked. It’s a deep and understandable instinct that we want to avoid failure and criticism and seek the warm nod of approval. I call it being paralyzed by applause. 

Repetition in any form can be either a conscious, powerful choice in service of a concept, or it can become the proverbial ‘highway to the danger zone’. The brilliant explorations of Monet reprising his water lilies or the kind of repetition devoid of risk and exploration that squelches the amazing creative beast prowling inside all of us.

What Scares You?

So, what can you do if you’ve become stuck on ‘rinse and repeat’? If I start defaulting to the safe zone I pose questions. I then work the problem to find an answer. For example…

What scares me? What am I avoiding?
What would happen if I used old furry brushes?
What would happen if I shoveled up the pigment instead of thinning it? What could I try that might communicate the noise and activity in a scene?
What would happen if I painted the painting upside down?
What would happen if only half the figure was in the picture plane?
What would happen if I put the center of interest in…shudder…the CENTER?
Could I make it work?
What would happen if…
And on…

The creative excitement will start seeping back and becomes its own reward.

The Good Fail…

There’s such a thing as a ‘good fail’. I walked into a gallery and saw a truly epic fail on the wall by someone who I know is normally an excellent painter. I’m pretty sure I did the “Huh???” family-dog-head-tip. My curiosity made me pause because I knew this person was normally not only a good painter but a very consistent one. I pretty quickly identified what wasn’t working in the painting and what I suspected was the cause of the fail. The painter had ventured outside of their safe zone and tried something new. They stretched. Granted, they had incorporated concepts they had not yet mastered so the painting was problematic. Though the solution had not worked, what I loved about the painting is that the painter had taken a risk. They had tried! That being said I might encourage painters to hold back from presenting those paintings publicly until the kinks are worked out. However, I suspected interesting new things would be coming down the pike from that painter once they hammered out the problems.

The Monster Mash…

If it has become a habit to circle back to an artistic solution that worked in the past we run the risk of applying it at an inappropriate time. I completely fell into my version of that low budget horror movie. I’d come up with a little formula for painting a specific type of scene that was a sure-fire way to make, not a masterpiece, but a nice little painting. It was confessedly a bit of an ‘arse’ saving move on my part at a plein air event I was nervous about.

Since I was new to the event and the location, I was feeling the pressure to produce. The tricks I’d devised were working famously and I was having that good, “I got this!” feeling going on until I slammed head-on into what was ACTUALLY in front of me the next day. The conditions had changed and literally nothing was the same. I reached into my little ‘Emergency Arse Saving Tricks’ bag and started painting like a banshee. It became clear in short order that my painting was a bit of a Frankenstein sewn together out of random parts. A few of my magic tricks, a couple of sprinkles from my formula, mixed with a few strokes of direct observation, topped off with a dash of panic. What had gone wrong? I’d mixed the past with the present. We must be present when we paint.

Go the Distance…

Many years ago I shared a subway ride with a truly great American painter that I deeply admired. We were quiet and then he turned to me and said. “Lyn, don’t ever stop looking. If you do, your paintings will eventually become cartoons.” He was not referring to ‘looking’ in the sense of slavish copying but looking in the sense of a deep and direct observation that leads to an understanding of the structure, essence, gesture, radiance of the forms around us.


I never forgot that moment and the truth of what he said has become more evident over the years. It has pulled me back from the edge when I have been tempted by the ease of drifting into painting formulas rather than asking myself to go the distance and look to see if there might be a different way to state something. Sometimes the different thing doesn’t turn out to be the better thing. Sometimes it does. Whichever way it goes I have the confidence the final solution was a decision, not a default.

Resistance is not Futile!

I’ll close with a painting that was one of my personal favorites of the year – ‘Coffee…black.’ It was the act of resisting nearly every formula I’d ever concocted or relied on in the past that fueled the intent of the painting. That intent being – paint not the objects but the sounds, smells, movement, atmosphere – the passage of the scene through time. The players themselves were only the supporting actors. I had to step away from the painting and out of the studio repeatedly to resist the urge to refine, to finish, to paint the life out of it.

So, never stop looking. Trust the painting. Trust yourself. And trust that tomorrow you can walk into your studio and it won’t be Groundhog Day!

“Coffee…black.” by Lyn Boyer
24″ x 18″ – Oil on linen
Authentique Gallery of Fine Art

Curiosity, Crumbs and a Cat

LYN BOYER · Dec 2, 2019 · Leave a Comment

How are you feeling today? Tired? Inspired? Brave? Beaten? As a painter, are the voices in your head your piper or your punisher?

Curiosity is seriously cool…

“Curiosity killed the cat!” So, did curiosity actually kill the cat? Not that I’m aware of.  The saying is floating around like a dust bunny under a couch in pretty much everyone’s sub-conscious having a party with these guys: “Don’t be curious!” “Curiosity will get you in trouble!” “Curiosity will be punished!” “Be curious and you could die…the cat apparently did!!” These are the thugs it runs with.  They’re lurking there and live to make you cave in to creative paralysis. “Don’t try that new idea, technique, subject matter. It might not be accepted. It might not work out. It might not sell. It might not win a ribbon. You might embarrass yourself! You might…FAIL!!!” The voices get more shrill until we’re slump-shouldered, our face in our hands and that spark of an exciting, new, utterly original idea that flitted through our brain has run for the hills.

When we were two feet tall, instead of being congratulated for our amazing creativity we were likely ‘domesticated’ – trained to be compliant. Having figured out how to open the kitchen cabinet doors, use the shelves as a ladder, do a rock climber worthy move to get on the kitchen counter and get a cookie out of the cookie jar from top of the fridge likely got us a swat on the bum rather than the applause it deserved!! Curiosity is BAD still lurks like Gollum under a rock in our brain.

Crumbs are seriously crumby…

Be on the watch that you don’t barter away your curiosity and the chance for adventure and artistic progress for crumbs.  When we move off our artistic vision and worry about what a judge will like, what Aunt Mildred might scowl at, what we see other painters getting pats on the back for, what worked for us last week, what is safe – we may have just slammed on the air brakes of our own progress.

The likes of Courbet, Manet, and Pissaro didn’t move off their vision and race each other back to the land of safety and acceptance when they were rejected from the 1863 Paris Salon.  They kept pushing the envelope answering over and over their own versions of the question, “What would happen if we tried…”

Be the most curious of cats…

The phrase “Curiosity killed the cat.” was originally “Care killed the cat.” Care as in ‘worrying’. So apparently the worried cat didn’t fare so well but the curious cat is quite alive!

Care deeply but don’t worry. Care motivates. Worry paralyzes. Care about your vision. Care about your progress. Care about the joy of creating. Even care about the craziness of the struggle. But, don’t worry. Don’t worry if your sincere efforts for the day missed the mark you were shooting for – you can try again tomorrow. Don’t worry if a judge passes you over. Don’t worry if Aunt Melba scowls at your recent effort. Congratulate that Indiana Jones part of yourself that has the courage to explore.

As painters, curiosity is our rocket fuel! Worry is our kryptonite!

Tomorrow, roll out of bed. Try something new! Handle paint a different way! Paint an amazing passage and then scrape it off just to prove you’re the master of the ship! If you paint with bright colors, try painting the nuance of grays. Pick up some sticks or rocks and lay them next to your brushes. See what kind of interesting marks they might add to your canvas. If something is starting to feel easy go paint something that feels hard.

When we try something new we never fail. We’ve succeeded in finding an answer to the question, “What would happen if I tried…?” We found out what may be useful. What may not. We may stumble on something amazing that isn’t useful in the moment but we can stash in our toolbox for later.

You get to choose the voices in your head. Follow the Piper. Delete the Punisher. Be curious. Try new things!  Fling yourself off the side of the pool with abandon and do a flailing belly flop. Might sting a little but you’ll paddle back to the side of the pool, find the beauty in shaking yourself off like a wet dog and… you’ll want to go try it again!

Exercise that cat…

Here’s a personal challenge, which is actually pretty fun. I predict you’re going to surprise yourself.  If you’ve recently painted something that you’ve gotten a bit of praise or an award for – try something that’s the polar opposite and see if you can create a more powerful painting than the one that just got the applause!

I’ll leave you with an image, ‘Havana Grays’, that originated by doing exactly that. An appreciative person stood next to me in front of a painting I’d just finished.  They stared at it, turned to me with delight and with all earnestness said, “It’s sooooooooo detailed!!!!” I mustered my very best thank you ever so much smile while inside I was figuratively beating my head against my paint palette.  Wowing someone with technical ability wasn’t on my goal list for that day. Inviting them to feel something was.  I set out a challenge for myself.  Learn when less can indeed be more. My intent for the next morning’s studio session was to answer the question, “What would happen if…I attempted to create a painting that was stripped of absolutely everything except that which was essential to communicate the mood, and my memory, of that moment in time?”  ‘Havana Grays’ was the painting and it immediately found its ‘person’.

Every morning when we wake up and take up our brushes there is always another question to ask. So, go exercise that curious cat, jump up on the counter and stick your artistic paw in the cookie jar that’s on top of the fridge!

“Havana Grays” by Lyn Boyer
20″ x 10″ – Oil on linen
Detail 1 – “Havana Grays” by Lyn Boyer
Detail 2 – “Havana Grays” by Lyn Boyer

www.lynboyer.com

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