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Find Your Palette

Susan Hotard · Jul 3, 2023 · 15 Comments

If you are not confident in your color mixing ability, ask yourself if you have too many colors on your palette. If every time you have taken a workshop from a different instructor you have purchased their recommended paint colors, then you might be both confused and broke! It means you have not found your palette yet. It’s time to find your own palette.

Do you have too many colors on your palette?  Try editing your palette. Get comfortable with your palette and paint a lot. Know what your selected colors will do. One way to get more competent and confident in your mixing ability is to experiment with a limited palette. Each one of these limited palettes will help you with harmonious color.

Experiment by using a limited palette.

The Paper Hat by Susan Hotard OPA
20”x16” – oil on linen – Extremely limited palette
Suzie’s Vase by Susan Hotard OPA
8”x10” – Oil on linen panel – Very limited palette

Try these very limited palettes: 

1. Extremely limited palette: Ivory black, titanium white. Using these two colors lets you concentrate on your design, drawing, values, and paint quality. 

2. Very limited palette: Ivory black, burnt sienna, yellow ochre, titanium white. With these four colors, you can make beautiful color. Ivory black with a little white added to it makes a blue. Yellow ochre with black creates a green. This is a nice palette to use for still lifes and portraits.

3. Culinary palate (ha, ha!): ketchup, mustard, salt, pepper:  Ketchup is alizarin crimson, burnt sienna, cadmium red (used alone or mixed with other of the reds). Mustard is yellow ochre and/or cadmium yellow. Salt is titanium white. Pepper is ivory black. You may use burnt umber and or burnt sienna for drawing.

4. My Chosen Palette: Ivory black, burnt umber, chromium oxide green, viridian, ultramarine blue, alizarin crimson, burnt sienna, yellow ochre, cadmium red, cadmium orange, cadmium yellow, cadmium yellow light, titanium white. I can paint just about everything with my palette. I am very familiar with how the colors mix and I make sure to buy the same brand of paint. I do extend my palette when I need different colors for flowers or sky etc. But on the whole, I have found my palette.

Whichever palette you have chosen, always place your paint on your palette in the same spot (like piano keys), that way you can reach for your paint automatically. Exercise your muscle memory. Practice mixing and painting so much that it becomes a part of you. This will help you find your palette.  

In summary, to familiarize yourself with color, start by limiting your colors. Add colors over time. Know where they are on your palette and know your paint brand. 

Go find your palette!

The Green Scarf by Susan Hotard OPA
14”x11” – Oil on linen panel – My chosen palette with added phthalo green
Jared Alla Prima by Susan Hotard OPA
16”x12” – Oil on linen panel – My chosen palette
               
Cowboy Nod by Susan Hotard OPA
20”x16” – Oil on panel – My chosen palette
Rude-bekia by Susan Hotard OPA
11”x14” – Oil on linen panel – My chosen palette

Oil Painting

Reader Interactions

Comments

  1. Colette Claros says

    July 3, 2023 at 9:49 am

    Fantastic article Susan!! The paintings are all beautiful with ur chosen palette. Culinary pslette 🤣🤣🤣❤️

    Reply
    • susan Hotard says

      August 16, 2023 at 2:28 pm

      Ha Ha Ha! Well, I love to cook almost as much as I like to paint! Ha ha.
      Thank you for your compliments regarding my paintings.
      Happy painting, Colette!

      Reply
  2. Mary Massey says

    July 3, 2023 at 10:55 am

    Nice work, Susan. And your advice is spot on!

    M Kathryn Massey, OPA

    Reply
    • susan Hotard says

      August 16, 2023 at 2:25 pm

      Thank you,Mary, for your comment! I know you are a very experienced artist, so thank you for verifying that simplifying a palette is the way to paint successfully.
      Happy Painting!
      Susan

      Reply
  3. Judy Crowe says

    July 5, 2023 at 8:17 am

    Great blog Susan! I still just the basics. Makes life a lot easier for me.

    Reply
    • susan Hotard says

      August 16, 2023 at 2:26 pm

      Thank you, Judy! I appreciate your comments.
      Godspeed,
      Susan

      Reply
    • susan Hotard says

      August 16, 2023 at 2:30 pm

      Thank you, Judy!
      Godspeed
      Susan

      Reply
  4. Glenn Higgins says

    July 6, 2023 at 10:45 pm

    I learned several years ago that I could make any possible color by choosing:
    A cool and warm yellow- Lemon Yellow and Cad Yellow Medium
    A cool and warm red- Alizarin Crimson and Cad Red Medium
    A coo and warm blue- Manganese Blue and Ultramarine Blue
    White- Titanium White.
    With those I can make any color including cool and warm blacks when needed. That is also attained by the relationship of the adjacent color.

    Reply
    • susan Hotard says

      August 16, 2023 at 2:31 pm

      Thank you, Glenn, for your comments! Simple is the way to go, as you already know.
      Happy painting,
      Susan

      Reply
  5. Judi Lanza says

    July 10, 2023 at 3:41 pm

    Thank you Susan! This was very helpful!

    Reply
  6. MaryAnn Smith says

    July 10, 2023 at 8:53 pm

    Thank you Susan… very helpful and informative article ❤️

    Reply
    • susan hotard says

      August 16, 2023 at 2:37 pm

      Thank you, MaryAnn! I am so thrilled you found the article on how to find your palette helpful.
      Happy painting to you!
      Susan

      Reply
  7. Carol Leake says

    July 11, 2023 at 8:05 am

    Excellent and helpful post. Thanks

    Reply
  8. Rebecca B. Rice says

    July 12, 2023 at 1:41 am

    Thank you. Good article. Lovely paintings.

    Reply
  9. Mariaan Kotze says

    August 1, 2023 at 3:22 pm

    So insightful, thank you, I’m going to experiment with the Very Limited Pallet

    Reply

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Snapshot of the Author

Susan Hotard
Susan Hotard is an experienced and award winning artist who lived in New Orleans over 31 years and now lives in the Houston suburb of The Woodlands, Texas. Susan had a cover story in American Artist magazine (July/August 2005) and earned the highest honor at The New Orleans Academy of Fine Arts. Most recently she has had a painting accepted into the OPA Masters Show (2023). She won the first place in the 2020 Oil Painters of America’s Signature Division of the fall, Online Showcase and won the OPA Silver Medal in the 2020 Salon Show. Susan painted the portrait demonstration for the OPA National show in 2020. Her portrait was in the Top Fifty Award in the Portrait Society of America’s International Competition 2019. Two of her portraits are featured in The Encyclopedia of Oil Painting Techniques 2018 by Jeremy Galton. Since 2003, Susan has taught portrait, figure, and still life workshops in Texas and Louisiana. She enjoys the vibrancy of both the New Orleans and Houston art communities.
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