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We caught up with Elaine Lockard, the VP of Sales and Marketing of ShipandInsure.com, which offers shipping and insurance solutions for fine art and other high value items.

Elaine, please tell us how the company began:

Our owners are experts in numismatics & other collectibles, establishing the North American Collectibles Association (NACA) in 1982 adopting benefits that include insurance products for dealers and collectors. They have a long history of insuring one of a kind items, with a value up to over a million. As an artist myself, I know first-hand the cost and frustration of traditional shipping and insurance methods. With ShipandInsure, one membership gives you access to our best in class insurance solutions.

What types of fine art and valuables can be shipped through ShipandInsure? Can you handle shipments outside of the United States?

ShipandInsure.com covers all fine arts, sculpture, custom crafted items such as furniture, musical instruments, handblown glass & ceramics, jewelry & loose stones as well as all items of value with the exception of perishables & contraband. Our coverage is for loss or damage. We cover various shipping options for both domestic and international shipping, so you can choose the one that best fits your needs.

Are there limitations on which carriers can be used and do you offer any special rates?

We offer shipping insurance covering shipments through most major carriers as well as freight and company vehicle deliveries. Our special pricing saves you the high cost of shipping by offering large discounts on FedEx standard rates, up to 50% off.

Does ShipandInsure have limitations on the values of goods that can be shipped?

Each carrier has their own limitations of the value of goods that can be shipped with them. However, ShipandInsure has offerings to help you override those limits when shipping items valued $75,000 or more.

Walk us through a step by step process of shipping a piece of art with ShipandInsure.

Packaging or crating the work of art is so important because of frequent mishandling by shipping firms. A good rule of thumb is the ability to drop the package at 4ft with no damage being inflicted. Once packaged, you can select the carrier and shipping method in your ShipandInsure.com account and submit your shipment for coverage.

What happens when an insured shipment is lost or damaged?

We do not need an appraisal prior to coverage and claims can be easily filed online. For a loss, we ask for a declaration of loss by the shipping firm and a substantiation of the wholesale value or replacement cost. For damage, we would like before and after photos, a substantiation of the value and a repair estimate from a conservator. If the item cannot be repaired for less than its value, we may ask for the item to be shipped to us for salvage and the claim will be paid in full for the wholesale or replacement cost.

How easy is it to work with ShipandInsure and what sets you apart from your competition?

Setting up your account through the application process is simple and your secure login can be active within 1 business day. Your application is for a membership through NACA. ShipandInsure.com is the NACA’s exclusive benefit program for shipping insurance. Our customer support team is always here to help.

See how it works!

To begin insuring your shipments for full value, no deductible, visit ShipandInsure.com.

Recently, I was asked during an interview, why it is I paint.  This certainly is not the first time I’ve been asked this question and I’m sure it won’t be the last.  Throughout various stages of this painting journey my answer might have been something like, ‘to study light and color’, to study the atmosphere, to be with one with nature, to continue growing as an artist, and so on.  Although each of those remains true, I noticed my usual answers had quietly shifted into the background…

As painters we seem to be in a constant state of growth, so we hope anyway.  I remember when the saying, ‘the more you know – the more you know you don’t know’ seemed to be about the truest thing.  It was profound, freeing, and exciting all at the same time.  I just love those little epiphany nuggets. It was one of the things that kept me coming back for more day after day. This too remains true, but that has also begun to shift into the background and quieted itself like a lingering truth that just is, freeing up space for the next layer of what might be.  Today, I find freedom in ‘not knowing’.  In fact, I embrace the not knowing, allowing more freedom in my work. Space for my efforts on canvas to be much less precious, to allow for my childlike curiosity to explore, to listen, to try things, and to begin a painting with ‘I wonder. . .’   The years of hard work and studying the fundamentals have become but an instrument to say something. And don’t get me wrong, I am still working on improving my fundamental skills every day.  

When I teach a workshop, the first morning I gather my students and ask them to introduce themselves and to share one intention they have for our time together.  It fascinates me that throughout the years of teaching, the most common desire I hear from painters is to ‘improve their brushwork’.  They may say something like ‘loosen up’ or ‘find their style,’ ‘improve brushwork’, ‘be more painterly’, ‘bolder,’ etc.  And for years I’ve been telling them the way to improve their brushwork is by improving their knowledge of color, allowing confidence to effortlessly come through the brush.  This is HOW to do this, but what’s become more interesting, is WHY do we desire this? 

Is this really what they are desiring?  Or is it possibly that we lack words to articulate what it is we want to express with paint?  With so many artists sharing this common thing, it can’t be a fluke thing; it must be a human thing, a deep-down desire to say something, to express the way we FEEL.  Painting is a language.  We use language to say something, express, articulate, communicate, connect.  And along with this surface’s authenticity, truth.

I teach the fundamentals of representational painting with an emphasis on color.  I do this because I too know the longing for having something to say and lacking the tools – the means of expression to do so.  The fundamentals of drawing, values, color, composition are all but tools, our instrument to make music with paint.  This is where freedom lies and where we can find our true voice and continue discovering it.  I’ve found that you can’t find your voice, it shows up when we show up, authentically, curiously, doing the work. 

So why do I paint? I guess because deep down I have something to say, and painting is my language.

If you’d like to study and improve the fundamentals, my daughter Paige and I spent the last year creating an online course called “Color Relativity – The Fundamentals”. You can find this course at www.colorrelativity.com and see my work and class roster for 2027 at www.kamimendlik.com

Happy Painting!  Kami

Eric Alexander Santoli – 2026

When I tell people that I’m a painter, sometimes they ask how much I charge to paint a three bedroom house. “No, no,” I say, “I paint pictures.” I also teach, travel and last year began hosting a series on PBS called Eric En Plein Air.

Painting as a career choice can be difficult to explain but painting itself is a very simple activity; we take paint with a brush and put it on a surface. Painting can be deceptive because of this simplicity. On a deeper level, painting transforms us into innovators, scientists, poets, craftspeople; we travel, share ideas and are always searching for inspiration. We are many things rolled into one, but above all I’d say painters are explorers.

When I was young, in school, I used to stare out of the window and imagine all sorts of adventures going on outside. I felt like there was something that I was missing by being indoors. I just wanted to see what else was in the world. Like a lot of kids, I liked drawing and it transitioned into oil painting as I became a teen. I’m not exactly sure when I first began painting outdoors, but my paint box became my vehicle for exploration. I used to dream about traveling and seeing things to draw and paint. It became my mission to see as many new places as I could.

And still, my favorite thing is to go somewhere that I’ve never been before. Painting en plein air is a great reason to go somewhere new. I love teaching workshops with new artists who can experience this feeling for the first time. The feeling is one of total freedom.

As a teacher, my first job was teaching art history and I always love sharing information about the history of plein air painters. The early plein air painters were explorers and true pioneers. Artists like J.M.W. Turner or Asher B. Durand stepped out of the studio after the invention of the paint tube C.1840 (forgive me for listing just two out of many great artists). I always encourage students to study this history because it gives us an appreciation of what we can do today.

We have the ability to drive or fly to virtually anywhere we’d like to go. And our painting supplies have never been more lightweight and streamlined. I’m always amazed by the technology and I use and recommend the u.go Pochade Box by New Wave Fine Art Products – I focus on using products like theirs because they’re made in USA and the quality is top notch. With easels like this, all I need is the desire to go out and paint. With all of these amazing tools and products, the world is open for us.

But sometimes it can be intimidating to go outdoors and paint. I also feel this way and I think it’s a normal feeling as we try new things and go to new places. Before a trip, I can become nervous or worried about small issues. This can be especially true when flying with oil paints (review airline regulations before traveling!). Over time, I’ve learned that the nerves will pass and I’ll be okay as long as I take that first step. As explorers, we are always learning. Many of my major life lessons and philosophies have been learned through painting. It has sharpened my vision and led me to study topics that I probably wouldn’t have studied otherwise. I’m always amazed how the world looks if I take time to really observe it. My life has been expanded by painting and I see it as a fountain that will never dry up.

Painting itself is also an experimentation. I’m never quite sure how a painting will turn out or even where I’ll set up to paint! And like most experiments, I’ll say that my paintings don’t usually turn out how I’d like them to. I’m usually happy with one out of ten paintings, but that’s not the reason that I go outdoors to paint. I trust myself to set out and paint with the goal of making a memory. The painting may or may not be visually pleasing, but it’s always a visual key to a memory to relive and enjoy.

In 2023, I had the opportunity to live for 3 months as Artist-in-Residence at Claude Monet’s estate in Giverny, France. I could write for days about the experience, but what makes me happiest is looking at the paintings that I painted in Monet’s garden and immediately being transported back to Giverny. When I look at my paintings, I remember the smells, the temperature, who walked by, what the grass felt like and the entire moment. Art is a way to make and keep these memories.

Sometimes people worry that their art isn’t worthy and then they become discouraged and they stop. I think this is the saddest fate for our creative souls. Remember that there is no right or wrong with painting—it can be whatever you’d like it to be. Painting can be a lifelong passion or a soothing pastime. And it’s easier than ever to find great resources, books, videos, events and other artists to band together with.

If you like watching programs, then you may enjoy watching our Public TV series, Eric En Plein Air. We travel to different locations for each episode and it’s all about art, travel and nature. This is a new adventure for me and I’m very thankful for the amazing people that I work with. As an artist and a teacher, I want to encourage everyone (not just artists) to explore the world by creating art. Whether it’s your backyard or a distant land, bring your paints, take a daytrip, find a hidden spot and go exploring!

“Carve your name on hearts, not tombstones. A legacy is etched into the minds of others and the stories they share about you.” —Author Shannon L. Alder  

In 2023, we sadly bid farewell to Signature artist Lyn Boyer, a luminary member of the art community. 

It’s rare to find a person like Lyn whose life and passing has had such an undeniable ripple effect on so many people – too many to even fathom. Her positive nature and compassionate soul inspired and encouraged others to do the same. She was wise beyond her years and understood the value of having deep, meaningful friendships, of which she had many. A highly accomplished artist, with a closet full of award ribbons to prove it, Lyn was a consummate professional and sought-after instructor throughout her career. She loved being an artist and knew how fortunate she was to be able to paint and travel for a living.    

This blog article shares some personal recollections by many of Lyn’s closest friends, reflecting on the extraordinary legacy that she left behind, not only through her art but by the many hearts she touched along the way.  

Shelby Keefe OPA

Call me one of the Lucky Ones. I got to be pretty close to this awesome, uber-talented, funny, smart, and seriously capable gal. You ask what I’ve learned from her—well, pretty much a whole ton of stuff! Top of the list is how she inspires me, to this day, to be a CAN-DO single woman in a complicated world making a living in this tricky art business. Hanging around her, looking at her paintings, and observing how professional she was in all aspects of the business pushed me to work harder at upping my own oil painting game. Her lifetime of accomplishments inspire me not to shy away from the hard stuff, like learning a new skill (playing the bass guitar) or taking on the big challenges (operating a Class B motorhome!) She taught me to trust in my own talents and instincts, take risks, and to jump in with both feet to live an interesting and fulfilling life. Now that she’s physically not here, I guess I’ll be camping without her—at least I know she’ll be traveling with me in spirit!  

Brenda Smaston  

I learned so much from the beautiful and incredibly talented Lyn Boyer, about art and life. “Don’t pet the kitty!” Resist picking at the canvas – I’m sure we all can relate to this!  This was one of her big principles. I think this applies to life, too. Learn when to let things go. “If the composition isn’t good, the painting won’t be either.” If the foundation isn’t good, you can’t build anything solid. That’s life and relationships. “A lot has to do with the love we pour into a painting.” That applies to the people in our lives, too. “Man up, quit the blubbering and figure out how to face whatever it is.” Life is hard. Be strong. Hit it head on. “Create, enjoy and appreciate beauty.” Whether an artist, one who plays with paint or a collector of art – it touches and connects us all on a deep human level.  The one I’ve learned since she died is “You can’t make old friends.” We will have lots of acquaintances in life but few real friends. They’re the ones that tell you the truth. Treasure them. Make time for them. Life is short the older we get.

Lyn Boyer was a true inspiration. There wasn’t anything she couldn’t do, if she set her mind to it. What an amazing example she was in the art world and as a human being. May we all find that strength, grit and determination in search of the beauty in our art, and in our lives. 

Jane Hunt OPA

With Lyn I felt completely seen, understood, and loved. We spent countless hours seamlessly switching from intense philosophical discussions to wildly inappropriate jokes. She was witty, insightful, generous, and unwavering in her values. Lyn fundamentally changed and inspired me as a person, and she taught me what deep, true friendship feels like. Some of my favorite Lyn insights: “Do not confuse what you do with who you are,” “Embrace JOMO (joy of missing out),” and “Sometimes when you’re in a big flock of seagulls, all scrapping over the same filthy french fry, you may be wise to fly down the beach a little…who knows, you may even discover an onion ring over there”.  

Lyn painted this incredible painting while talking, and joking on the phone for five hours with Jane Hunt – that’s how masterful she was. Bean “the wonder dog” was featured in Lyn’s wise and witty OPA blog posts: https://www.oilpaintersofamerica.com/?s=LYn+boyer

Eric Rhoads   

When Lyn walked into a room, her energy and smile dominated the room. She never had anything negative to say. Instead, she always made you feel better. She was always encouraging. Even through tough discussions, she made you feel wonderful. I got to know her extensively because of the time we spent together recording her videos, and her appearances at our events. When you spend a lot of time with someone, you often discover their dark side or their true personality. With Lyn, you always got the upbeat, happy, silly, encouraging special person.   

She called me in the car after getting out of the hospital from major surgery because she felt she had dropped the ball on a couple of things, and this was her first chance to follow up. She should have been resting, and I told her so, but she was driven to deliver what was expected of her. She was a true pro.  

We painted side by side many times on our Cuba trip, and I discovered that Lyn had become one of my closest friends. We laughed for seven days. I think she made everyone feel she was their closest friend. It wasn’t manipulative; she truly loved everyone.   

Lyn was an exceptional and in-demand teacher. She created two art instruction videos that are still available through Streamline Publishing: https://painttube.tv/products/lyn-boyer-2-video-combo?utm_

Suzie Baker OPA  

Peruse Lyn’s paintings, and it’s intuitively obvious that she was a great artist! Those of us who knew her knew that her character, wit, wisdom, and friendship were greater still. Lyn was a wise soul, authentic and balanced, entirely trustworthy and honorable. She was sincerely enthusiastic about her friends’ accomplishments. No artifice or competitive spirit, just a magnitude of rah-rah support that inspired confidence. Lyn could give an insightful critique like nobody’s business! My Lyn Boyer text chain is full of on-the-spot easel critiques. Because Lyn was so authentically supportive, she also could speak truth into the lives of those around her. I am a better artist and human for having known Lyn Boyer.   

Brenda Boylan  

There is one word that clearly describes our late Lyn Boyer. Solid. She was a respected, strong, and calm force in the plein air artist community and will be sorely missed. When she spoke, it was with gracious wisdom gleaned from her life experiences. My first memory of Lyn was just a short moment in time. We were packing up our painting gear, and I had asked her about her easel. I had never seen one like it. She graciously demoed her “set-up” and tear-down and didn’t hesitate to share her clever equipment hacks. I also remember her musical talent with the mandolin. Through the instruments of paint and music, she shared her life. What a loss to the plein-air art community. May her generous and solid spirit continue to inspire us all to be like Lyn.  

Bill Cramer OPA  

Lyn and I had many good times painting together at the Grand Canyon, Zion, and Sedona plein air events. Aside from the painting, we enjoyed just taking in the landscape, watching tourists, and discussing all subjects. Her straightforward, no-BS take on things was a revelation. She adjusted my thinking about a lot of things for the better, especially concerning the art world. Mainly, it takes a lot of work, and most of it doesn’t get recognized. That you should just do what you want; otherwise, you won’t really enjoy it. And that the stuff you do outside of art may be as important to your art as doing the art itself. In other words, stepping away from it once in a while. As a fan of the Top Gun movies, she often joked that she was my wingman during the plein air events. In truth, we were both wingmen to each other. I will forever be happy having known her and cherish the memories of our time together.   

Lyn was also an accomplished musician who played numerous instruments. She was particularly drawn to Celtic music and played in several bands. Here she is playing her mandolin at the Grand Canyon.

Brienne Brown  

During every conversation I had with Lyn, I would learn a new bit of wisdom. One favorite bit that stuck with me is to value authenticity and being true to oneself in life and art. She lived this way, and I hope to follow her example, even while I miss the sound of her voice and laughter.  

Lyn was fascinated by the connection between visual art and music – seen painting here with one of her musical partners, Dave Curley, of Interplay Artists

Lindsay Jane Ternes  

Lyn was a remarkable human, a true painter, and my beloved mentor/“art mom”. She understood the challenges of being a working artist and mother, and she told me, “You are a lighthouse. Your effort is most potent when concentrated, so you have to teach the people you love that your light will come back around.” I have so much gratitude for this incredible torchbearer who generously passed her light to me and to all who loved her. Whenever I pick up a Rosemary brush, I know I have Lyn with me – and her memory will forever be a blessing and an inspiration.   

Kyle Denning   

I met Lyn while volunteering as a workshop assistant during the OPA National Convention in St George, UT, a few years back. She dazzled the group by taking a very detailed photo reference of an Italian street scene and using big brushes, palette knives, and spatulas, creating a lovely impressionist rendering without any detail in a matter of minutes.   

Two years ago, on behalf of the Southern Utah Art Guild, I invited Lyn back to St George to do her four-day “No Fear Painting” workshop. As always, she was a delight. I’m convinced Lyn loved teaching more than painting. She had no secrets; she shared everything. She was humble, fun, and funny. Each day, she arrived in the same black shirt. She assured us she was changing her shirt every day, however. “Every shirt I have is black,” she said. “So, I don’t have to think about what to wear.”  

It was a joy to be around Lyn. She lifted the spirits and abilities of all around her. I consider it a cherished blessing to have crossed her path.  

Jim DeWildt

Forty two years….where have they gone? Lyn and I go back that far. We met in 1981. I was living in Traverse City, Michigan and Lyn had moved to the area. To be honest, I’m not sure exactly how we met, but I can tell you when I met her and saw the quality of art she was producing I was very impressed. Aside from her art, Lyn was a very warm and extremely likable person. Over the years we would bounce ideas off one another and critiques.

We both taught illustration courses part time at our local community college, NMC. Those were really some fun times. I think we learned as much as the students.

One of the most memorable times we experienced together was the time we spent two weeks in New York at the Illustrators Workshop. It was hosted by some of the top illustrators in the country…Bernie Fuchs, Mark English, Robert Hiendel, Alan Cober, and Bob Peak. I think Lyn and I constantly kept pinching ourselves….it was almost surreal!  –  Meeting our heroes of the business.

Years sure have gone by quickly. Fast forward, Lyn moved to Durango, CO and didn’t want to take anything from her studio (and Lyn had one of the greatest studios around).  Lyn offered her whole studio to me, and I mean the whole studio. All of the furniture, art supplies and even all her original pieces of art she had done for many commercial jobs.  Lyn had one of the largest private art reference libraries and was set up on the dewy decimal system. A side note, I told Lyn, “I will take your original art but will have it for you anytime you want it back”. (She did get them from me a few years later). When I walk into my studio, Lyn is the first person that comes to mind. I know that she is there.  –  I feel her presence.

In 2018, Traverse City was holding its very first Plein Air week long event. Lyn had called to let me know she was going to be in it and she was wondering if I was going to be in it. I think I told her I wasn’t since I had really never done on location painting, also I didn’t paint with oils very often. At that time I was doing quite a bit with scratchboard.  Leave it to Lyn, she talked me into submitting samples and as it turned out I was accepted. Lyn flew into TC and stayed with me and my wife Manie. What a wonderful visit we had that week. To make a long story longer, I was not having the best week with my paintings but Lyn, being the cheerleader that she was, told me to do my scratchboard, (be true to yourself) so on the last day I went out, did three scratchboard pieces and colored them with my oil paints. Oh yea, Lyn was doing absolutely beautiful paintings all week. What a joy and thrill to be witness to such a masterful painter. At the big event Lyn took one of the big awards and much to my surprise, one of my scratchboard pieces took the best TC scene award…..I about fell over.  If it hadn’t been for Lyn cheering me on and constantly reminding me that the judges are always looking for new approaches, I probably would not have ended up with the three scratchboard pieces.

Lyn was that person…..always there for you, cheering you on, building you up and with a smile. I will truly miss that and truly miss her.

About Lyn Boyer:   

Lyn was an award-winning plein air and studio oil painter whose works hang in private collections across the United States. After returning from studying art at the Royal Melbourne Institute in Australia, Lyn began her long career as an American illustrator and painter.  

Lyn’s early inspiration came from the great illustrators of the Golden Age of Illustration and their contemporaries, the American and European painters of the late 1800s and early 20th century. She was captivated by not only the power of the images but their story-telling ability. Lyn took the focus, energy, and ability to respond in the moment required in plein air painting and used it to inform and bring life to her studio work.  

A devotion to painting en plein air and teaching took Lyn on the road for much of the year before returning to her studio in Durango, Colorado, for the winter months. Her commitment to teaching began with nearly a decade as an illustration instructor. It continued through her workshops, instructional videos, demonstrations, and private mentoring.   

Lyn’s great passion for certain subjects helped her to paint them with exceptional truth:   

Automobiles: “You can take the girl out of Detroit, but you apparently can’t take Detroit out of the girl. The daughter of an automotive designer and a child of the Motor City, my lifelong love of all things motorized was inevitable.” – Lyn Boyer  

Music: Lyn played eight instruments and managed to bring the common languages of painting and music together through her teaching and other collaborations.  

Animals: “When I come across and choose to paint our fellow creatures, something about their guilelessness sets my world right for a bit. Without them, I think we might forget to continue to try to find our best selves.” – Lyn Boyer  

The West: An accomplished horsewoman, Lyn was so enamored of the west, that twenty years ago, she sold her farm in Michigan, moved to Colorado, and fully immersed herself in western art and lifestyle.  

She could apply herself to make, learn, or fix whatever she set her mind to. She shared her joy and wisdom with those who were fortunate enough to have known her.  

Thanks to all of Lyn’s friends who shared their love for Lyn and how their lives were changed for the better by knowing her. We can all benefit from these great stories and words of wisdom that Lyn shared throughout her life to inspire and motivate us to become the best version of ourselves and to live life to its fullest.  

Lyn’s OPA blog posts: https://www.oilpaintersofamerica.com/?s=LYn+boyer

For more information, and to see remaining available works, go to https://www.artworkarchive.com/profile/lynboyer/collections and https://www.lynboyer.com

Please add your own memories of the inimitable Lyn Boyer in the comments below.