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“Carve your name on hearts, not tombstones. A legacy is etched into the minds of others and the stories they share about you.” —Author Shannon L. Alder  

In 2023, we sadly bid farewell to Signature artist Lyn Boyer, a luminary member of the art community. 

It’s rare to find a person like Lyn whose life and passing has had such an undeniable ripple effect on so many people – too many to even fathom. Her positive nature and compassionate soul inspired and encouraged others to do the same. She was wise beyond her years and understood the value of having deep, meaningful friendships, of which she had many. A highly accomplished artist, with a closet full of award ribbons to prove it, Lyn was a consummate professional and sought-after instructor throughout her career. She loved being an artist and knew how fortunate she was to be able to paint and travel for a living.    

This blog article shares some personal recollections by many of Lyn’s closest friends, reflecting on the extraordinary legacy that she left behind, not only through her art but by the many hearts she touched along the way.  

Shelby Keefe OPA

Call me one of the Lucky Ones. I got to be pretty close to this awesome, uber-talented, funny, smart, and seriously capable gal. You ask what I’ve learned from her—well, pretty much a whole ton of stuff! Top of the list is how she inspires me, to this day, to be a CAN-DO single woman in a complicated world making a living in this tricky art business. Hanging around her, looking at her paintings, and observing how professional she was in all aspects of the business pushed me to work harder at upping my own oil painting game. Her lifetime of accomplishments inspire me not to shy away from the hard stuff, like learning a new skill (playing the bass guitar) or taking on the big challenges (operating a Class B motorhome!) She taught me to trust in my own talents and instincts, take risks, and to jump in with both feet to live an interesting and fulfilling life. Now that she’s physically not here, I guess I’ll be camping without her—at least I know she’ll be traveling with me in spirit!  

Brenda Smaston  

I learned so much from the beautiful and incredibly talented Lyn Boyer, about art and life. “Don’t pet the kitty!” Resist picking at the canvas – I’m sure we all can relate to this!  This was one of her big principles. I think this applies to life, too. Learn when to let things go. “If the composition isn’t good, the painting won’t be either.” If the foundation isn’t good, you can’t build anything solid. That’s life and relationships. “A lot has to do with the love we pour into a painting.” That applies to the people in our lives, too. “Man up, quit the blubbering and figure out how to face whatever it is.” Life is hard. Be strong. Hit it head on. “Create, enjoy and appreciate beauty.” Whether an artist, one who plays with paint or a collector of art – it touches and connects us all on a deep human level.  The one I’ve learned since she died is “You can’t make old friends.” We will have lots of acquaintances in life but few real friends. They’re the ones that tell you the truth. Treasure them. Make time for them. Life is short the older we get.

Lyn Boyer was a true inspiration. There wasn’t anything she couldn’t do, if she set her mind to it. What an amazing example she was in the art world and as a human being. May we all find that strength, grit and determination in search of the beauty in our art, and in our lives. 

Jane Hunt OPA

With Lyn I felt completely seen, understood, and loved. We spent countless hours seamlessly switching from intense philosophical discussions to wildly inappropriate jokes. She was witty, insightful, generous, and unwavering in her values. Lyn fundamentally changed and inspired me as a person, and she taught me what deep, true friendship feels like. Some of my favorite Lyn insights: “Do not confuse what you do with who you are,” “Embrace JOMO (joy of missing out),” and “Sometimes when you’re in a big flock of seagulls, all scrapping over the same filthy french fry, you may be wise to fly down the beach a little…who knows, you may even discover an onion ring over there”.  

Lyn painted this incredible painting while talking, and joking on the phone for five hours with Jane Hunt – that’s how masterful she was. Bean “the wonder dog” was featured in Lyn’s wise and witty OPA blog posts: https://www.oilpaintersofamerica.com/?s=LYn+boyer

Eric Rhoads   

When Lyn walked into a room, her energy and smile dominated the room. She never had anything negative to say. Instead, she always made you feel better. She was always encouraging. Even through tough discussions, she made you feel wonderful. I got to know her extensively because of the time we spent together recording her videos, and her appearances at our events. When you spend a lot of time with someone, you often discover their dark side or their true personality. With Lyn, you always got the upbeat, happy, silly, encouraging special person.   

She called me in the car after getting out of the hospital from major surgery because she felt she had dropped the ball on a couple of things, and this was her first chance to follow up. She should have been resting, and I told her so, but she was driven to deliver what was expected of her. She was a true pro.  

We painted side by side many times on our Cuba trip, and I discovered that Lyn had become one of my closest friends. We laughed for seven days. I think she made everyone feel she was their closest friend. It wasn’t manipulative; she truly loved everyone.   

Lyn was an exceptional and in-demand teacher. She created two art instruction videos that are still available through Streamline Publishing: https://painttube.tv/products/lyn-boyer-2-video-combo?utm_

Suzie Baker OPA  

Peruse Lyn’s paintings, and it’s intuitively obvious that she was a great artist! Those of us who knew her knew that her character, wit, wisdom, and friendship were greater still. Lyn was a wise soul, authentic and balanced, entirely trustworthy and honorable. She was sincerely enthusiastic about her friends’ accomplishments. No artifice or competitive spirit, just a magnitude of rah-rah support that inspired confidence. Lyn could give an insightful critique like nobody’s business! My Lyn Boyer text chain is full of on-the-spot easel critiques. Because Lyn was so authentically supportive, she also could speak truth into the lives of those around her. I am a better artist and human for having known Lyn Boyer.   

Brenda Boylan  

There is one word that clearly describes our late Lyn Boyer. Solid. She was a respected, strong, and calm force in the plein air artist community and will be sorely missed. When she spoke, it was with gracious wisdom gleaned from her life experiences. My first memory of Lyn was just a short moment in time. We were packing up our painting gear, and I had asked her about her easel. I had never seen one like it. She graciously demoed her “set-up” and tear-down and didn’t hesitate to share her clever equipment hacks. I also remember her musical talent with the mandolin. Through the instruments of paint and music, she shared her life. What a loss to the plein-air art community. May her generous and solid spirit continue to inspire us all to be like Lyn.  

Bill Cramer OPA  

Lyn and I had many good times painting together at the Grand Canyon, Zion, and Sedona plein air events. Aside from the painting, we enjoyed just taking in the landscape, watching tourists, and discussing all subjects. Her straightforward, no-BS take on things was a revelation. She adjusted my thinking about a lot of things for the better, especially concerning the art world. Mainly, it takes a lot of work, and most of it doesn’t get recognized. That you should just do what you want; otherwise, you won’t really enjoy it. And that the stuff you do outside of art may be as important to your art as doing the art itself. In other words, stepping away from it once in a while. As a fan of the Top Gun movies, she often joked that she was my wingman during the plein air events. In truth, we were both wingmen to each other. I will forever be happy having known her and cherish the memories of our time together.   

Lyn was also an accomplished musician who played numerous instruments. She was particularly drawn to Celtic music and played in several bands. Here she is playing her mandolin at the Grand Canyon.

Brienne Brown  

During every conversation I had with Lyn, I would learn a new bit of wisdom. One favorite bit that stuck with me is to value authenticity and being true to oneself in life and art. She lived this way, and I hope to follow her example, even while I miss the sound of her voice and laughter.  

Lyn was fascinated by the connection between visual art and music – seen painting here with one of her musical partners, Dave Curley, of Interplay Artists

Lindsay Jane Ternes  

Lyn was a remarkable human, a true painter, and my beloved mentor/“art mom”. She understood the challenges of being a working artist and mother, and she told me, “You are a lighthouse. Your effort is most potent when concentrated, so you have to teach the people you love that your light will come back around.” I have so much gratitude for this incredible torchbearer who generously passed her light to me and to all who loved her. Whenever I pick up a Rosemary brush, I know I have Lyn with me – and her memory will forever be a blessing and an inspiration.   

Kyle Denning   

I met Lyn while volunteering as a workshop assistant during the OPA National Convention in St George, UT, a few years back. She dazzled the group by taking a very detailed photo reference of an Italian street scene and using big brushes, palette knives, and spatulas, creating a lovely impressionist rendering without any detail in a matter of minutes.   

Two years ago, on behalf of the Southern Utah Art Guild, I invited Lyn back to St George to do her four-day “No Fear Painting” workshop. As always, she was a delight. I’m convinced Lyn loved teaching more than painting. She had no secrets; she shared everything. She was humble, fun, and funny. Each day, she arrived in the same black shirt. She assured us she was changing her shirt every day, however. “Every shirt I have is black,” she said. “So, I don’t have to think about what to wear.”  

It was a joy to be around Lyn. She lifted the spirits and abilities of all around her. I consider it a cherished blessing to have crossed her path.  

Jim DeWildt

Forty two years….where have they gone? Lyn and I go back that far. We met in 1981. I was living in Traverse City, Michigan and Lyn had moved to the area. To be honest, I’m not sure exactly how we met, but I can tell you when I met her and saw the quality of art she was producing I was very impressed. Aside from her art, Lyn was a very warm and extremely likable person. Over the years we would bounce ideas off one another and critiques.

We both taught illustration courses part time at our local community college, NMC. Those were really some fun times. I think we learned as much as the students.

One of the most memorable times we experienced together was the time we spent two weeks in New York at the Illustrators Workshop. It was hosted by some of the top illustrators in the country…Bernie Fuchs, Mark English, Robert Hiendel, Alan Cober, and Bob Peak. I think Lyn and I constantly kept pinching ourselves….it was almost surreal!  –  Meeting our heroes of the business.

Years sure have gone by quickly. Fast forward, Lyn moved to Durango, CO and didn’t want to take anything from her studio (and Lyn had one of the greatest studios around).  Lyn offered her whole studio to me, and I mean the whole studio. All of the furniture, art supplies and even all her original pieces of art she had done for many commercial jobs.  Lyn had one of the largest private art reference libraries and was set up on the dewy decimal system. A side note, I told Lyn, “I will take your original art but will have it for you anytime you want it back”. (She did get them from me a few years later). When I walk into my studio, Lyn is the first person that comes to mind. I know that she is there.  –  I feel her presence.

In 2018, Traverse City was holding its very first Plein Air week long event. Lyn had called to let me know she was going to be in it and she was wondering if I was going to be in it. I think I told her I wasn’t since I had really never done on location painting, also I didn’t paint with oils very often. At that time I was doing quite a bit with scratchboard.  Leave it to Lyn, she talked me into submitting samples and as it turned out I was accepted. Lyn flew into TC and stayed with me and my wife Manie. What a wonderful visit we had that week. To make a long story longer, I was not having the best week with my paintings but Lyn, being the cheerleader that she was, told me to do my scratchboard, (be true to yourself) so on the last day I went out, did three scratchboard pieces and colored them with my oil paints. Oh yea, Lyn was doing absolutely beautiful paintings all week. What a joy and thrill to be witness to such a masterful painter. At the big event Lyn took one of the big awards and much to my surprise, one of my scratchboard pieces took the best TC scene award…..I about fell over.  If it hadn’t been for Lyn cheering me on and constantly reminding me that the judges are always looking for new approaches, I probably would not have ended up with the three scratchboard pieces.

Lyn was that person…..always there for you, cheering you on, building you up and with a smile. I will truly miss that and truly miss her.

About Lyn Boyer:   

Lyn was an award-winning plein air and studio oil painter whose works hang in private collections across the United States. After returning from studying art at the Royal Melbourne Institute in Australia, Lyn began her long career as an American illustrator and painter.  

Lyn’s early inspiration came from the great illustrators of the Golden Age of Illustration and their contemporaries, the American and European painters of the late 1800s and early 20th century. She was captivated by not only the power of the images but their story-telling ability. Lyn took the focus, energy, and ability to respond in the moment required in plein air painting and used it to inform and bring life to her studio work.  

A devotion to painting en plein air and teaching took Lyn on the road for much of the year before returning to her studio in Durango, Colorado, for the winter months. Her commitment to teaching began with nearly a decade as an illustration instructor. It continued through her workshops, instructional videos, demonstrations, and private mentoring.   

Lyn’s great passion for certain subjects helped her to paint them with exceptional truth:   

Automobiles: “You can take the girl out of Detroit, but you apparently can’t take Detroit out of the girl. The daughter of an automotive designer and a child of the Motor City, my lifelong love of all things motorized was inevitable.” – Lyn Boyer  

Music: Lyn played eight instruments and managed to bring the common languages of painting and music together through her teaching and other collaborations.  

Animals: “When I come across and choose to paint our fellow creatures, something about their guilelessness sets my world right for a bit. Without them, I think we might forget to continue to try to find our best selves.” – Lyn Boyer  

The West: An accomplished horsewoman, Lyn was so enamored of the west, that twenty years ago, she sold her farm in Michigan, moved to Colorado, and fully immersed herself in western art and lifestyle.  

She could apply herself to make, learn, or fix whatever she set her mind to. She shared her joy and wisdom with those who were fortunate enough to have known her.  

Thanks to all of Lyn’s friends who shared their love for Lyn and how their lives were changed for the better by knowing her. We can all benefit from these great stories and words of wisdom that Lyn shared throughout her life to inspire and motivate us to become the best version of ourselves and to live life to its fullest.  

Lyn’s OPA blog posts: https://www.oilpaintersofamerica.com/?s=LYn+boyer

For more information, and to see remaining available works, go to https://www.artworkarchive.com/profile/lynboyer/collections and https://www.lynboyer.com

Please add your own memories of the inimitable Lyn Boyer in the comments below.

OPA Says Goodbye to Master Signature Artist
Nancy S. Crookston
November 23, 1948 – November 17, 2023

It is with profound sadness and a heavy heart that we share the news of Master Signature artist Nancy Seamons Crookston’s untimely passing last Friday, November 17, due to post-operative complications resulting from shoulder surgery. 

Nancy was a beautiful and talented soul who will always be remembered for her kindness, generous spirit, and exceptional artistic talent.  Her warm and friendly demeanor, coupled with her wealth of knowledge about art allowed her to connect with so many people throughout her life.

An avid supporter of OPA, Nancy was often called on to jury artwork, whether it be for a regional or national exhibition or to serve on the Master Signature selection committee.  She was always willing to share her expertise and was well-known for her giving nature and sage advice.  An integral part of the OPA family, Nancy and her husband Garr regularly attended OPA events, and Nancy was often called on to join a panel discussion, provide a painting demonstration, or give a critique.

Early on in her career, Nancy studied with renowned Russian artist Sergei Bongart, whom she often mused was quite direct and opinionated when it came to critiquing his students’ work. Nevertheless, her hard work and perseverance paid off, receiving OPA Master Signature status in 2002; an honor bestowed on a select group of distinguished artists. Throughout her career, Nancy would go on to win numerous awards, winning the Gold Medal at this year’s Western Regional Exhibition for her painting, “I’ll Show You How It’s Done”.

A proud wife and mother of five, Nancy often spoke lovingly about her children and grandchildren, who often modeled for her beautiful figurative paintings. Having moved from Utah to Alameda, California, in 2006, both Nancy and her husband Garr loved the vibrant art community found in the San Francisco Bay area. Her Facebook friends delighted in her regular posts depicting the people living in Alameda, and her whimsical morning breakfast sketches at the local diner became a fan favorite. 

OPA will forever cherish the fond memories we have of Nancy and will continue to be inspired by her amazing life and legacy. Our heartfelt condolences go out to the Crookston family.

To our OPA community, we sadly announce the passing of one of the all-time greats, Master Signature artist Joyce Pike.  Growing up in California, Joyce always knew she was destined to be an artist.  She began her formal art studies with Sergei Bongart at the age of twenty-three, and later continued with Viona Ann Kendall and Howard Reed. With hard work and perseverance, she earned her spot as one of the country’s premier artists, widely recognized for her beautiful impressionist floral still lifes and landscapes.  When OPA created the Master Signature designation in 1997, Joyce was one of only 3 women to receive this prestigious honor, proving that women could be just as successful as their male counterparts in what was then considered a male-led industry.

A natural teacher, Joyce became a sought-after educator who inspired several generations of art students over her 50+ years of teaching.  She was a regular instructor at the prestigious Scottsdale Artists’ School and taught for many years at the Art League of Los Angeles and the Los Angeles Valley College.  Joyce authored several how-to-paint books through Northlight Publishing and went on to produce over forty-five one-hour painting videos.

In 2012, Joyce received OPA’s highest honor, the Golden Brush Award, given to an outstanding member who embodies the spirit of volunteerism and generously gives of his/her time and expertise for the betterment of the organization.  As one of OPA’s biggest fans, Joyce spent countless hours working on behalf of OPA. For many years, Joyce wrote regularly for OPA’s Brushstrokes newsletter. Later, she would Co-Chair OPA’s Master Signature Advisory Committee with Zhiwei Tu OPAM. Over the course of her involvement with OPA, she would be called on numerous times to jury, exhibit, locate potential galleries, demonstrate, or participate in the organization’s educational programs. More importantly, Joyce served as a sounding board for hundreds of OPA artists, providing them with sage advice, inspiration, and encouragement. 

Over and above everything, Joyce was all about faith, family, and friends. She felt enormously blessed to have lived such a wonderful and full life. With her family by her side, Joyce spent her final weeks doing what she loved most, painting. As if on cue, Joyce put the final touches on her last painting and passed away peacefully in the days to follow, surrounded by loved ones.

Joyce will be greatly missed, but her legacy will live on for many years to come.

Zhiwei Tu OPAM

I was very sorry to hear that OPA Master Joyce Pike recently passed away. Joyce was an exceptional artist who spent many years volunteering her time and expertise to Oil Painters of America. In the early 90’s, she called many people encouraging them to join the organization. She worked tirelessly spending hours helping OPA Founder Shirl Smithson build OPA into one of today’s leading art organizations in North America. For 20 years, Joyce served as the Chair of the Master Signature Advisory Committee. In 2007 she asked me to serve as the Co-Chair of the Master Signature Advisory Committee, but she did the most work to let me have more time to create art.

More importantly, Joyce was a dear friend always looking out for my best interests. She visited my studio many times and offered me praise and encouragement to continue my painting and to write many articles on my art.  She always said that I was her Chinese son and treated me like a son.

Thank you so much Joyce – we will miss you forever!

Scott Royston OPAM

Words cannot describe what a beautiful lady Joyce was to not only me but to the art community. Her loss will never be forgotten. Not only was she a friend and a mentor but also a sister in Christ. She gave every bit of her gifts to glorify God. She’s shared her knowledge freely to encourage others to grow in their careers as artists and I am grateful to be one of those people. The last call that I received from Joyce was basically telling me goodbye. She knew she was going to be with the Lord very soon and to this day it just brings tears to my eyes when I think about that phone call. It hit me even harder than the call that I got telling me that she had passed. But her spirit and her memory will always live on and I will always remember her with every painting I do. Joyce, if you can hear my voice, I want you to know that I love you and could you just ask the Lord to save a small place for me in heaven as I look forward to seeing you again soon. Grace.

Myles Herman

Approximately a week or so before Joyce passed, she called to say goodbye. She was almost in a celebratory mood since she was finally going to go be with GOD. She was hoping for this for some time. In her typical helpful style (a little tongue in cheek) she stated when I get there, “I’m going to teach God to paint”. She seemed to be truly looking forward to that experience. She passed on all of her love and gratitude to Cilia (my wife) and I, as well as all who have touched her life. 

Having a vision is not merely living in a fantasy world or wishful thinking, it’s a real thing. It implies having a mental picture of something and seeing it there before it actually is. Having a vision is possessing insight unrestrained by factual reality. I’m willing to say all creatives, in some way or another, were born visionaries. Without this bestowed gift we simply could not create. For us, living with such vision is a natural way of life, so instinctive we scarcely even know it’s there. One thing for sure, having a vision cannot be reached without first taking the necessary steps to reach it.

Taking steps is meant to lead us to a higher place, a new level. As long as we keep our eyes focused forward there will be progress, one step at a time. Which in turn leads us to a process, and a process means it’s going to take some time and effort.

In my experience, being a visionary can be a mixed blessing. It can be both exhilarating and demanding at the same time. On the positive, happy side at the start of my painting, I’m all excited. My spirits are raised. Yes! So real is the success of my finished work, I can already picture the coveted red dot on my card. It’s going to be awesome. In reality, that doesn’t always happen. So, on the flip side, the realization sets in that there will always be more steps to mastering my work. To name a few are, studying the good practices of other artists; taking workshops from artists whose work I admire; taking classes to learn new things; visiting my local art museum to view the Masters, etc. 

Honestly, steps might not be the friendliest thing to a visionary. Putting in the overtime. The preliminary grunt work. It can sometimes feel so restricting. At a younger age, I wanted to hasten the process, leap over two or three at a time thinking I’d get to the top faster. If it were possible, I would have bypassed the part about steps altogether and gotten right to the good stuff. But after years of self-examination and growing pains, I now understand the lesson steps were trying to teach me. Whenever I skipped a step in the process, I had to go back and redo, undo, repaint, unlearn, relearn. Sometimes round and round, up and down I went. This madness usually landed me right back to where I started, and I had to take the same step I tried to avoid anyway. 

Quoting the words of a great orator who once stated, “I ran up the steps, skipped over the steps, ignoring them, until I tripped on them, until I fell on them, until they taught me to respect them, respect the process”. Back in the day that was me, young and full of spitfire.

Through the course of my art career spanning 30(+) years, I’ve worn many hats. Graphic designer, product developer, art educator, illustrator, and now after an early retirement, I’m happily doing the very thing I envisioned years ago – full time painter. Each facet has had its particular set of steps to climb in order to learn the position and do it well. And as I ponder these, I see they absolutely prepared me for the next thing.

There is a practice which has helped me gage my progress, especially when it seems little headway is being made. At the end of each month, I log the things I’ve accomplished. Although I keep a journal, this is a separate list. Simple bullet points I jot down regardless if it’s big or little, many or few, art related or not. 

For instance, June’s entry:

• Moved into a new studio.
• Planted a small garden.
• Redecorated my foyer with a modern farmhouse look.
• Canned homemade tomato salsa.
• Sold one of my paintings. 
• Created new color charts.
• Worked on compositional layout for next painting.

A running list helps me keep track of when, where, and what I’ve done. Over time they all seem to blur together, and I would absolutely forget from one month to the next if I didn’t write it down. Each year I do this, honestly when I read it back, I’m totally shocked and amazed. Surprised even, because sometimes I underestimate my own talents and abilities. I guess I’m making progress after all, one step at a time. Thank you for reading.