If you’re an artist, you’ve probably considered that your work, once it’s “out there” for the world to see, has the power to impact people in some way. It could elicit any number of responses, from admiration, to nostalgia—or on the opposite spectrum, to disgust, or shock. Quite possibly—because we are bombarded with images every day—it might not elicit a response at all. Either way, there’s always some risk involved. It takes courage and vulnerability to put your art before the public eye. Get a big enough audience and you might even be called an “influencer” or a “culture shaper”. But have you considered that, with any audience large or small, this also means you are a leader?
Last week I was invited by my Crossfit gym owner to join him and the other coaches for a monthly professional development meeting. Now, I am not a coach, rather, I provide services to my gym in the form of photography, video/video editing, and design work. I love being part of this team, but I still feel a bit out of place at “coaches” meetings. As an artist, what I know about leadership has evolved organically over the years (a.k.a. I’ve read a lot of Brene Brown books). I’ve never received formal leadership training, so I was intrigued when my gym owner said, “You might get something out of this”.
He was right. We watched a video where someone was analyzing a coach teaching a class, and he broke it down into technical terms as to what methods this coach was using to effectively train and teach athletes proper form. I found myself engaged, not just because I’m also a CrossFitter, but because my brain immediately went to ways I could implement these coaching techniques in teaching art, or in my interactions with other artists. Whether you’re in a gym setting or a workshop setting, there are going to be people who don’t want to listen to you, or those who cherry pick some of what you have to say while leaving the rest. And there will be some who require you to say the same thing ten times over but in ten different ways before it clicks for them. It’s important to learn how to communicate effectively with people so you can actually reach them.
I’ve only recently come to terms with the realization that I am a leader in the art world. For better or for worse, whether I like it or not, I have a part to play and I am influencing someone. My younger self brushed this off by saying, “I’m just keeping up with the times on social media”, or “I’m just doing what I love”, “making art for art‘s sake”, etc. But the truth is, most of us can’t possibly live in a bubble where our life and work don’t affect someone else. If our work is out there, we are influencers. We are above and beyond the norm. There’s no minimum or maximum age, no minimum audience for being a leader, and as artists, our leadership roles are especially unique and necessary.
But not everyone who leads is a good leader. It takes work, and a servant’s heart. I’ll name a few of the things I’ve learned that make up a great leader (of course I offer this list through the lens of being an artist but it can certainly apply to other aspects of life).
Belief in purpose. As artists, we write an “Artist’s Statement” to communicate our “why”. The great thing about a statement is that it forces you to examine your goals, motivations, and process, and condense it into a few brief sentences. There has to be a “why” behind everything we do and every choice we make. If we truly believe in our “why,” and are confident in the direction we are going, we are setting ourselves up for becoming good leaders in our field. If writing an artist’s statement is daunting to you, don’t worry. It can change and evolve with you as your work evolves. Think of the core values you hold most dear, and how those manifest themselves in your work. Or look at your body of work and try to find the common thread that ties them all together. It won’t be too hard to see what really matters to you.
Early on I had to come to terms with the moral question of painting nudes and including them in my portfolio. I grew up in a very conservative environment, and to this day, I still have acquaintances from home who won’t talk to me because they think I’ve sold my soul to the devil. It’s a subject that raises a lot of different questions, and I realize that if I’m going to paint nudes, I need a standpoint on it, and once that’s been established, I need to be able to defend and honor that standpoint.
One way to uphold your belief and purpose is by aligning yourself with arts organizations that support your values. Two of the esteemed groups I’ve been a part of for quite a few years now, are the Portrait Society of America, and Oil Painters of America. Both are non-profits with the aim of furthering representational art and art education. I share a core value with them: the pursuit of excellence. This commonality creates a fertile garden for artistic growth, both on their end and mine.
Authenticity is important because your worldview, or belief in purpose as described above, are dependent on this. It doesn’t make sense to believe one thing while making art that goes against that, just so you can make a buck, or get in with the cool kids. Also, don’t be the person who will advertise for any company as long as you get something free out of it. Be the real deal. Advocate for causes you actually believe in. I am generous with my social media posts about art supply manufacturers, but I only post about the ones I actually use and love.
Humility. Admit when you’re wrong or you don’t know. When I teach, I sometimes get asked technical questions about the chemistry and lightfastness of the paint brands I’m using. Quite often I have to say, “I don’t know the answer to that,” but I’ll try and point my students in the right direction for finding the answer themselves.
Have a servant’s heart. Give of your time and talents. Don’t be entitled, and don’t get “too big for your britches”. We all started somewhere; we are all still learning. I find artists who are aloof and unapproachable, with their enormous egos taking up all the space in the room, to be abhorrent. Don’t be like that!
Master the basics and continue practicing them; never stop learning. Basketball star Kobe Bryant was known for doing the most basic drills in order to stay at the top of his game. Every day he shot 700-1000 hoops and did 20 minutes of dribbling. For artists this might be similar to sketching every day, doing color charts, or copying masterworks. This is something I need to work on; too often I think my studio work is more important and I don’t have time to go back to the basics. But the basics are everything.
Foster community. This involves a combination of all the above listed things. When you are in community, you allow yourself to grow and learn from others. They don’t have to be other artists. A wise friend once told me, “I learn from everyone I meet. It doesn’t matter who they are or what they do—everyone has something to bring to the table.” That kind of humility opens the door for better listening, more empathy, and greater understanding. It also allows for a bigger melting pot of ideas to inspire creativity and growth as an artist.
There are many practical ways we can foster community in the art world. We can host open studios, attend art openings and events, have regular critique sessions, or attend life drawing and plein air sessions to name a few.
Know your worth, and stay confident. One pill that’s been hard to swallow is the realization that as a leader, I will make enemies. No, not the kind where you duke it out in a fist fight, although sometimes I feel like that would be easier. But, you might get slandered. You might get talked about behind your back. You might get shunned or blacklisted. There will be people who not only disagree with you, but actually hate you.
It’s so important to know who you are and to keep in mind that negative reactions reflect more on the other person’s character than yours. I was shunned in college by some of the other art majors. I could only speculate as to why, but I suspect they were envious.
My emergence to the art scene coincided with the onslaught of social media. There has been this continuous question of: how much do I share about my political views and should that tie in to my art? Some would argue that as an “influencer”, I ought to use my platform for that. Others would say that I should “stick to the art.” Whether or not this is true for you, what I realized for myself was that real change only happens in settings where people feel safe and respected. Intimate conversations, friendships that are built on trust – that’s where change happens, not by blanket statements made on social media. Unfortunately, I had to learn this the hard way. I’ve burned some bridges. I hope that, moving forward, I can learn from my mistakes and make wiser choices.
Since then, I’ve gone through other experiences, such as getting negative feedback or being attacked by internet trolls (sometimes people I actually know which is way worse…). These experiences can sometimes feel like a test to see whether or not I will cave in to the lies that I am inadequate, unworthy, or a fraud. When bad things happen to you (or bad paintings, ha!), hold your head high, know your worth, and carry on. Don’t let them paralyze you from continuing your work and sharing it with the world.
As the reader you might be thinking, “You are not making a very good case for putting yourself out there”. Sorry…not sorry. If you’re an artist and you truly feel that it’s your vocation, then you’ll have to come to terms with this, like I did. Thankfully, it doesn’t all happen at once. Little by little, you learn what leadership looks like for you and your own circle of influence. You may be lucky enough to be born with natural confidence, but if you’re like most of us, leadership is a skill that takes time and experience to develop. And that’s okay! Just know that if you are being true to your values and being authentic, remaining humble and embracing community… your art and life will become part of something bigger, and you are going to make a positive difference in someone’s life.
Josie Gearhart says
Wonderfully wise and thoughtful article. Thank you. We’ll done.
Kathy Meade says
Fabulous Anna! Your words of wisdom were just what I needed to start my day!
Thank you🙂
Ms. Christine Lashley says
Hi Anna. I loved reading this well written piece. You are so honest — and with a difficult and elusive subject. Great to see you in Steamboat at OPA. Congratulations on the Gold Medal Award for your beautiful painting “King of the Wild Things”!
Janice C says
Fantastic article Anna! We’ll written & resonated with me personally. I’ve been asked to teach Plein air painting to many adults but feel unworthy & unqualified since I’ve been at it for just a few years. I’m passionate about it & had some excellent instruction. Never saw myself as a leader. It’s a challenge to walk through doors that are opening. It takes courage that I feel I lack. This was encouraging! Thank you for sharing!
Jacalyn Beam says
Thoughtful and insightful. Several take-aways to consider and practice. I was taken by your (Anna Rose’s) painting at the OPA show and feel privileged to now better know the artist through “Above and Beyond”.
Indeed, you’ve outlined your leadership style and are inspiring others to think, evaluate, and commit. Thank you for sharing. Well done….and looking forward to seeing more of your paintings!
Mickey Carlson says
Like her paintings, Anna Rose Bain’s article on leadership is spot on, well done and rings true – thanks you!
Elaine Porter says
Good Morning,
While sipping my first cup of coffee,I came across this spot-on article. I’ve been a self employed artist / designer for 40 years.
These word described every aspect of the challenge of being a “leader” in art and in any field perfectly.
In fact, I have two grandchildren that are approaching college in the fall. They will be playing sports and studies in fields of their interest. The concepts are pertinent to even their pursuits.
Thank you Anna! I’m handing this on my studio wall!
Suzanne says
I’ve not met you, but I have viewed your work regularly on Instagram, in art magazines, and in webinars or demos online. I believed not only that you were a superb artist and a good teacher, but got the impression that you were also humble and happy to share your knowledge with others. This was a good column about being a leader, but also about being a good human being.
Starlyn says
I just read your OPA blog and I want you to know YOU have made a difference in my life. Thank you for the frank, direct, unapologetic display of who you are and what you believe. You are an upstanding role model for living an authentic life and an amazing teacher and artist to boot. Congratulations on your award at OPA.
Caroline Goldsmith says
Great article, we can all learn from each other in oh so many ways. Thank you for taking the time to write on this subject. It’s a breathe of fresh air to see the transparency in this public arena. Thank you. Your artwork is exceptional.
Sherry Barber says
I could not agree more with Anna. I am not on the national stage, but in my little bubble of artists, I find myself in the position of being a leader of sorts. Loving people and being willing to give of yourself is more fulfilling than any one time award. It is a daily activity that fills your soul. I have been to many Plein Air conferences and Pastel Conferences. This year was the first time I went to OPA. I was stunned and thrilled with the approachability of the leaders in this group. After sitting at lunch and meeting several people, what a surprise to see them on the stage over the next several days. While I had known some “names”, I did not know most of the fabulous people and they all treated everyone as equal. I believe that this mindset is transmitted from the top down. OPA is an awesome group of people who just happen to be artists.
Barbara Terrell says
Thank you for your leadership outline. Your wise words have helped my stumbling feet out the ditch and back on the path of purpose.
“Your art is a true testament to your belief”
Ann Watcher says
This is one of the best articles I have read! So well written, honest and helpful! I especially liked the parts about practicing, community and staying humble.
Gini says
Well said, Anna Rose, thank you for your insight!
Patience Heyl says
Thank you! I am always grateful when I can feel the substance and authenticity behind the author. This was a wonderful encouraging article .It will reach out to many artists that struggle with their own authenticity. I do believe that we come into a time when we speak from that soul sense within us that also holds a paintbrush.!… yes, I do believe that the true artist is motivated by the still small voice inside that wants to make a contribution for all mankind. Whether the world accepts this truth… It doesn’t matter. “To thine own self be true”,resonates and leads the way.
Angie Poston says
Excellent article! Appreciate transparency and honest encouragement.
Barbara says
Anna, such a beautiful and thorough article, thank you. It sounds like you have balance in your art and professional life, and don’t know how you do it with 2 small children. Busy life! I could relate to your comment about practicing nudes and have had negative reactions both from students and family. I must practice this to be a well rounded artist, since I am mainly a landscape and still life painter. I am excited to take a workshop with Juliette Aristides in Sept from live models. But it reminded me of the wonderful film on the life of Artemisia Gentileschi from the middle ages who was arrested for that. It is a gorgeous film, dont miss it! Just goes by the name of Artemisia.
Anna Rose Bain says
Thank you all so much for your comments! I wrote this back in February after learning yet another lesson the hard way. I felt this needed to be written. Thank you!
Oiseau says
Thanks so much for the thought you’ve put into this article, Anna. You are indeed influencing someone: me! Your work is high up among those contemporary artists I look to for guidance and inspiration, and I’ve learned a lot from your teaching videos as well. Now, to take your words to heart and think about how I also might be influencing others, and my responsibilities in that.
Janet Borders says
She really has some great art and writing
joyce snyder says
These are words to live by..grow and pass on. thank you for saying them all.
Rose Irelan says
Thanks fort the article Anna. There is a lot of wisdom in it. I especially appreciated your honest and authentic share on how leadership can sometimes turn on us…and how to best emotionally deal with that. I have been “blacklisted” from a plein air painting group in my home town. The reason why ….I have absolutely no idea and have not been given one. It was a real head trip for me to deal with …. And affected me physiologically ….having me questions my worth as a person and an artist. Those are some of the toughest lessons. I enjoy your work and love that you do do both plein air and portrait. I too enjoy painting both so it’s inspiring for me to see your doing them both so well. Congrats on your OPA award. Great painting!
Mark Gale says
Artists are and should be leaders. In the U.S., I think we tend to treat artists as somewhat superfluous or as being prodigies if they create compelling work. Society tends to ignore or misunderstand the tremendously hard work put in by artists. Rather, they think an artist has magical talent that requires little effort. An artist is good because he or she was born with an innate talent.
Recently I stumbled across a trove of Van Gogh’s early drawings–stunning. He drew with amazing skill, insight and impact…years before he created his stunning paintings. I should have known that, I guess, but did not. It was an inspiration.
Today’s successful artists are skilled in their chosen field and in the business of art and relationships. It’s time they get credit for all of it.
Mark Katzman says
Excellent “food” for thought..and I think on the issues you raise, you are correct – my experience tells me that. Good column.
Susan (Baker) Cartledge says
Thank you for your thoughtful column. I have transitioned from being a nursing ‘leader’ for over 30 years to full-time painter and it has been somewhat challenging. The common threads for me that you nailed spot-on, however, are being authentic, humble, and recognizing that the negative reactions are of others—not myself. I am extremely lucky to have a friend and mentor who has coached me (Alia El-Bermani) and she certainly reflects these values which I draw upon every day of my practice. It’s good to see other artists who reflect these same ideals in their practice as well. Thank you.