• Skip to primary navigation
  • Skip to main content
  • Skip to footer
  • Help Desk
  • My Account

OPA - Oil Painters of America

Dedicated to the preservation of representational art

  • Home
  • About
    • Mission, Policies & Bylaws
    • Board of Directors
    • Presidential History
    • Frequently Asked Questions
    • History
    • OPA Staff
    • Contact Us
  • Membership Services
    • Member Login
    • Membership Information
    • State & Province Distribution For Regionals
    • Update Member Information
    • Membership Directory
    • Contact Membership Department
  • Events
    • Exhibitions
    • Online Showcase
    • Lunch and Learn
    • Virtual Museum Road Trip
    • Paint Outs
  • Resources
    • Brushstrokes Newsletters
    • Ship and Insure Info
    • Lunch & Learn Video Archives
    • Museum Road Trip Video Archives
  • Services
    • Sponsorship Opportunities
    • Scholarships
    • Critique Services
    • Workshops
    • Have A HeART Humanitarian Award
  • Online Store
  • Awardees
  • Blog
    • OPA Guest Bloggers
    • Blogger’s Agreement (PDF)
    • Comment Policy
    • Advertisement Opportunities
  • Show Search
Hide Search

Oil Painters of America

Checking in with OPA Board Members during Covid-19

Oil Painters of America · Apr 27, 2020 · Leave a Comment

We thought it would be interesting to ask some of our Board Members what they have been up to since being quarantined. Here’s what they have to say:

Bill Suys OPA

I came home from teaching at the Scottsdale Artists School on Feb. 8 and fell unbelievably ill for about 3 weeks. An already scheduled chest scan showed either pneumonia or covid-like areas, which tells me I have fully made the transition from an ‘invincible’ young man to one of the ‘vulnerable’. 

The incredible shutdown that followed made it clear that this is an economic threat as much as a medical threat. As much as ‘Art’ means to us, there will be an impact on our sales. As I described in my OPA blog on March 30, it is time to focus on the ONE thing that makes us artists. The PROCESS of art and creation is why I’ve done this my entire life, and the past year has convinced me I need to rededicate myself to focusing on my artistic soul.

I believe the highest level of productivity is ‘creative productivity’ — whether in business or Art — and it is best nurtured when many factors come together to create a creative environment. The pandemic was not conducive to this environment, and the disorganization in my studio had gotten to a point where I knew this was a time to take charge and make some changes! 

My studio is not huge, but I wanted to create a more welcoming ‘nest’ that would encourage me to dwell and focus on why I do what I do. The first step was to order a reading chair that would allow me to take advantage of the many beautiful art books I’ve accumulated, and I want to take the time to absorb what they have to teach me. At the same time, I will be able to look around and view my recent work with an eye on how I can drill down to what each existing piece needs to grow, and what I need to consider and explore if I hope to grow as an Artist.

I have gone through a challenging period over the past year or two as I I have gone through a challenging period over the past year or two as I have felt the urge to go ‘deeper’, but I know this inner pull is a healthy thing. This mess has done a lot to derail all of us, but I, for one, am starting to feel I’m on the right path and I’m excited to dig in.

Susan Abma

I have been trying to view the ‘downtime’ because of Covid-19 as a bit of a blessing in the way of time. It has given me more time to stop and smell (okay see) the ‘roses’ that our members are producing. Great work by Dave Santillanes, Bill Farnsworth, John Lasater, Heather Burton and Jing Zhao to mention just a few.  Some, like J. Kenneth Grody, impressively took on a self-portrait challenge. Others, like me, took the time to regroup.

I am always tidy in my studio, except at the easel perhaps.  🙂  The Covid-19 is taken really seriously here as well (I’m in Alberta, Canada), so I haven’t left home in about a month.

As a result, my studio is even more organized than usual.

I have four large upright metal cabinets in my studio that hold art cards, paint, pencils, etc. in small plastic drawers.  It makes my life easy. I can grab anything I need quickly.

The initial investment was not teeny, but I have had them more than 20 years and they’re still like new. For me, it was money well spent

Jane Hunt OPA

“Cloudscape” by Jane Hunt OPA
11″ x 14″

“Because my family is high risk, we’ve been quarantined for almost 6 weeks. I admit, for the first three or four I wasn’t handling it very well…reading too much news, and panicking because I couldn’t get my daughter’s seizure medication for weeks amid the shortages!  Once I got the essentials figured out…acquiring meds, food delivery etc., I started to feel less overwhelmed.

It took almost a month, but I was finally able to pick a up paintbrush and get back to work.  Best decision I could’ve made!  Immersing myself in the thing that I love helped to challenge and distract my mind. Over the last week or so I’ve started to feel more like myself again.  No matter how bad things seem, I think it’s always therapeutic to get back to painting.

Attached: a piece from a couple of days ago ‘cloudscape’ 11×14 will be headed to the reimagined Olmsted Plein Air (the show will be all virtual this year).”

Stephanie Birdsall OPA

This Coronavirus downtime has made a subtle difference in my days. It has given me the time to clean my studio and make new brush holders. Something I’ve wanted to do for a long time. But I feel like I’m a little in slow motion. I’m spending more time teaching my students through FaceTime, zooming, being sure that I check up on my friends that are alone.

It has given me the time to explore my neighborhood in Ct on foot because there are so few cars. I live on a very narrow, winding, hilly road, surrounded by homes dating back to the 1700’s. I’m finding so many places to plein air, as soon as the weather holds up. The slow spring coming to CT, seems to play to the slower days. I’m enjoying the peace, though . I find I’m meditating more, and watching podcasts of people I admire.

I feel like I’m recharging my batteries, getting ready to explode into spring!

We hope you have enjoyed hearing from some of our Board members.  Please let us know how you have been spending your time during COVID-19.

An Interview With Master Ned Mueller

Oil Painters of America · May 1, 2017 · 3 Comments

Ned is a designated “Master with both the Oil Painters of America and The American Impressionist Society,” and is this year’s Distinguished Artist at Oil Painters of America National Exhibition in Cincinnati, Ohio, this coming May.

Ned Mueller
“Ned is a very accomplished and highly respected artist, having been drawing and painting for over 65 years. He is a graduate of the prestigious Art Center School of Design in Los Angeles where as still a student he also taught drawing classes. He has participated in many of the major invitational shows in the country, including the “Artist’s of America Show”, “Great American Artist’s Show”, “Prix de West Show”, “Oil Painters of America”, “Laguna Plein Air Show”, “Pastel Society of America”, “The Autry Western Masters Show”, “The Northwest Rendezvous Show” and the annual “Plein Air Painters of America Exhibition.”
He shows in some of the Finest Galleries in the country, has won numerous awards and is included in many private fine art collections. He is a Master Signature member of the Oil Painters of America, Plein Air Painters of America, California Art Club, Northwest Pastel Society, Puget Sound Group of Northwest Artists, Northwest Rendezvous Group, and the American Society of Marine Artists. Ned is the only Artist in the Northwest that has been designated as “Master Artist” status with both the Oil Painters of America and the American Impressionist Society. He continues to challenge himself to grow artistically. Ned has been asked to jury Regional and National Art Shows and he loves to teach and share his many years of knowledge and experience by teaching classes and workshops, regionally, nationally and internationally.”

***All Images Contained Within This Video Are The Works Of Ned Mueller And Are Protected Under His Copyright***
 
 
Plein Air Workshop
8/18/2017 – 8/20/2017
Plein Air Workshop
10/26/2017 – 10/28/2017
You can obtain more information at:
ScottsdaleArtistsSchool.com

OPA's 2016 National Juried Exhibition

Oil Painters of America · Jun 6, 2016 · Leave a Comment

Meet the Gold Medal Winners from the 25th National Juried Exhibition

Derek Penix is OPA’s 2016 Salon Show Gold Award Winner for Associate/Signature Division.

Derek Penix Derek Penix was born on December 29, 1980 in Tulsa, Oklahoma. Penix grew up watching members of his family paint but didn’t pursue painting himself until after high school. After trying his hand at painting and selling his first piece he knew this was what he wanted to do for the rest of his life. 
Over the years Penix’s work has changed greatly and continues to evolve with each painting. “I never want to be stuck painting only one way or only one subject matter. Variety is the spice of life and is especially that way for me with painting.”
Penix has had the opportunity to work under Quang Ho and later with C.W. Mundy. “They have helped me as an artist immensely. I am so thankful that they have been willing to feed into my life as they have.”
Penix has been recognized in many national competitions and publications. Even at a young age Penix was recognized in South West Art Magazine’s “21 Under 31” in 2010 and Oklahoma Magazine’s “40 Under 40” in 2014.


Liu Huihan OPAM is OPA’s 2016 Salon Show Gold Award Winner for Master Signature Division.

Huihan LiuLiu, Huihan born in 1952 in Guangzhou China. Huihan graduate from Guangzhou Academy of Fine Art in Oil Painting Department with BA in 1975. He taught in the Art School of Guangzhou Academy of Fine Art in 1979-1985. Huihan was a candidate and was accepted by Graduate school of Guangzhou Academy of Fine Art in 1985. He went to the United State of America to further his study in 1987, graduated from the Graduate School of the Academy of Art College in San Francisco with an M.F.A. in 1989. Huihan taught in the Academy of Art University in San Francisco in 1993-2005. He is a Graduate School Adviser at Academy of Art University.
When he was in China, he had been participated many show exhibitions both in regional and national. Since Huihan has moved to the United States, he has been participating in many national painting shows and invitational exhibitions. His paintings have won many awards and have been collected by both private collectors and museums such as: “Gold Medal for Best Painting” in California Art Club’s 92nd Annual Juried Exhibition; “First Place Winner” 9th Annual Mission San Juan Capistrano Plein Air Painting Event, Wilmington Trust Purchase Collection; “First Place Painting” Plein air exhibition in Bower Museum of Culture Art, Bowers Museum Contemporary Plein air Permanent Collection in Santa Ana ; “Best of Show In Painting-John Scott people’s choice Award” The 25th Western rendezvous of Art, Helena; “Gold Medal for the Master Signature Division at the Oil Painters of America Western Regional Show; “Members’ Choice Award for The Master Signature Division in Oil Painters of America National Exhibition. In 2012, Huihan’s painting “Spring of Miao Village” has been selected by the Organization committee for the Olympic Fine Arts 2012 (London), which was exhibited in London during the 30th Olympic Games in London, was permanent collection by the National Museum in China. Huihan’s work was featured in articles by many leading national artist/collector magazines such as Art of The West; Southwest Art Magazine; The International Artists Magazine and The Artist’ Magazine. Huihan conducts a few invitational painting workshops both in the United States and abroad.
Huihan and his wife Liang, Weizhen are both full time painters live in Kensington in the Bay Area of San Francisco. They both love to travel and have many trips to Tibet, France, Italy, and Taiwan for their painting subjects. His son, Liu Jian graduated in Cornell University in 2008.
Huihan is an Artist Member of Guangdong Artists’ Association China, Master Signature Member of Oil Painters of America, Master Member of American Impressionist Society, an Artist Signature Member of California Art Club, School of Art & Design Guangzhou University Professor in China.

OPA 2015 Western Exhibition Winner Spotlight

Oil Painters of America · Nov 22, 2015 · Leave a Comment

Johne P. Richardson
Johne P. Richardson was awarded the Gold Medal, a $4,000 cash award funded by OPA, for “Pushing Strays.”

Johne P. Richardson
Johne P. Richardson

Johne is a native of Kansas, with a love of the prairie, and other wide-open spaces. He has painted for more than thirty-five years, most of that in watercolor. He fell into oil painting comparatively recently, and when he got himself cleaned up (which he discovered was quite a bit more of a job than with watercolor) he realized it was a medium he could be content with, and for quite some time.

Johne lives in Overland Park with his wife Janet. They have three mostly grown children, and any number of cats and dogs.
“As an artist, I have a great passion for the outdoors, and a great affection for cowboys, and the western landscape. I look for interesting stories, and compelling visual drama, and try to speak to what moves me, emotionally, on the surface of my paintings. I don’t feel the need, creatively, to add intellectual content in creating a dialog with the viewer- the subject inherently having interest, and substance, all on its own.
My figures tend to be presented large, and up close, to create an inescapable intimacy, and expression of character, or at a distance, to reflect the human scale within the enormity of the wide-open landscape. Occasionally a steer wanders by, and I’ll become entranced with the play of light on horns, or a fierce posture, or expression. And the elusive, curving brim of a cowboy hat, as it moves and changes in the light, is perhaps the most captivating and challenging subject I’ve ever encountered.
I get emotionally involved with my subject, whether it’s a figure, or a landscape. When I paint, I try to tell the story of what moved me, and with the same energy and passion with which I absorbed the image initially. It could be the gesture, the color, the surface patina, the light… but mostly, it’s the light.”

"Pushing Strays" by Johne P. Richardson
“Pushing Strays” by Johne P. Richardson

David Dibble
David Dibble was awarded the Silver Medal, Art Focus funded by American Art Collector Magazine for “Monterey Pier.”

David Dibble
David Dibble

Born in 1977, David Dibble was raised on a farm in Davis County, Utah, where he was influenced by the landscape from an early age. He created art all through his youth, and completed a BFA in Illustration from Brigham Young University.

David began landscape painting in earnest in graduate school at the Academy of Art University, and following the Academy he and his wife Liz moved to New York, where he worked as a color artist for Blue Sky Studios (20th Century Fox), creating Concept Design for such films as Rio, Epic, Ice Age 4, and Peanuts. David and his family now reside in Orem, Utah, where David teaches Illustration at Brigham Young University and paints  often in the surrounding mountains and valleys.

"Monterey Pier" by David Dibble
“Monterey Pier” by David Dibble

Andrew Lu
Andrew Lu was awarded the Bronze Medal, a Half-page advertisement funded by Fine Art Connoisseur, for “Under the Tibetan Sun.”

Andrew Lu
Andrew Lu

In 1974 Shanghai I was born into one of the biggest urban centers in China.  A well noted artist in the local area introduced me to drawing at the young age of 11 and allowed me to take my first step onto the long road of the study of art.  Upon graduation from the University of Shanghai with a major in Fine Arts, I painted voraciously without rest.  I then met the man who would become my instructor, Xiaofu Yu, a true master in oil painting. Nearly all of my present painting skill derived from my apprenticeship under him.

In searching for ever more difficult challenges and a bigger stage to present my works I immigrated to America in 1998.Free-spirited Americans living in such a diverse and energetic society became a great inspiration. This soon led me to create the most prolific outpouring of all of my works. Vivid reflections of my newest experiences in this land and the raw emotions connected with them were shown on canvas with each paint stroke. I couldn’t help but have my emotions evoked every single day by the beauty of color and life that lay around me. I came to live in Southern California where I was lucky enough to have met my wonderful wife and had our son. I currently own an art school in the city of Walnut where I enjoy my time teaching students and continue my painting.

"Under the Tibetan Sun" by Andrew Lu
“Under the Tibetan Sun” by Andrew Lu

Summer 2015 Online Showcase Award Winners

Oil Painters of America · Nov 15, 2015 · Leave a Comment

Marci Oleszkiewicz
Marci Oleszkiewicz was awarded the Gold Medal, a $3,000 cash award fundedDorothy Driehaus Mellin and the Richard H. Driehaus Foundation, for “Finding Her Name.”

Marci Oleszkiewicz
Marci Oleszkiewicz

Marci Oleszkiewicz, grew up in the city of Chicago in a family of four. Her mother home schooled all four children where each child’s gifts were nurtured and encouraged. Marci’s father was a carpenter and there wasn’t a moment in childhood that he was not renovating or working on some project for their home. Looking back Marci attributes much of her creativity to seeing her father always working on something, creating something out of nothing. “My dad would say see Marci if you work at something little by little you will see your idea come about. Seeing my Dad’s work ethic and learning from my Mom the value of self discipline as a home schooler, I believe gave me some of the foundational tools I would need later in life to succeed as an artist.”

Marci’s passion for art was inspired at a young age. As a child, she remembers sitting at her little desk making pictures.

“It seemed I often communicated visually.Whether it was in a Christmas card to family or a personal journal entry, there was always a drawing to be found. I remember imagining my little creations coming alive as I made the final touches.”

A statement from the Juror of Awards, Kathy Anderson:

"Finding Her Name" by Marci Oleszkiewicz
“Finding Her Name” by Marci Oleszkiewicz

My choice for 1st place in this competition was very easy and instantly identifiable. It fit my criteria of telling an interesting story, or handling a subject in an original way. I’m very drawn to beautiful clean color, and skill in drawing. The little girls in their pastel dresses were a perfect match for me!”

Although she has been studying art and painting for some time, it wasn’t until 2007 when things started to move forward and she began to see what the future might hold for her as an artist. Upon entering several art competitions Marci was not only accepted in two of the top shows, The Oil Painters of America’s national show and the American Impressionist Society’s national show, but also received very substantial awards from both. An award of excellence from the OPA and the best of show award from the AIS. Not long after, she was included in Southwest Art Magazine’s 21 under 31 and had her first two man show at Gallery Russia in Scottsdale, AZ. “Receiving so many incredible honors, one after another, really encouraged and pushed me into becoming a full time painter.” Since then Marci has continued to paint full time, focusing on her annual show that comes up every March at Gallery Russia in Scottsdale, AZ. “I am always so encouraged to hear the response from my collectors every year, how they connect and are so touched by what I paint. It is my goal as an artist to do just that, to create works that resonate with the hearts of others, to speak clearly and deeply to the innermost being. To capture moments of life on canvas that convey beauty, joy, love and truth. I’ve heard it said if you paint from your heart you will speak to the hearts of your viewers, and that is my desire.”
“The Lord has blessed me with this passion for art and I am delighted to be able to share what I see with my students and collectors to show them the beauty and love that surrounds them.”

Zimou Tan
Zimou Tan was awarded the Silver Medal, a $1,500 cash award funded by Dorothy Driehaus Mellin and the Richard H. Driehaus Foundation for “Grandma.”

Zimou Tan
Zimou Tan

Zimou Tan was named “Chinese Master Artist” in December of 2007 by the Chinese government Art and Culture department, also selected as “The 50 Artists impacted China”.  Tan was born and raised in Canton, China, apprenticed to Chinese Master Artist Le, YiFeng at age 12. At age 14 he immigrated to America with his family. Tan taught at art university for about 13 years after his graduation.

"Grandma" by Zimou Tan
“Grandma” by Zimou Tan

Tan has been running Tan’s fine art studios onsite and online, you can find Tan’s demo videos on Youtube, and Vimeo. Tan is specialized in fine art portraitures, to capture the spirit of his subjects. Since 2001, Tan had won numerous painting awards, and published in magazines. Tan is currently the director of Olivet College of Art and Design.

Lori Putnam
Lori Putnam was awarded the Bronze Medal, a $500 cash award funded by Dorothy Driehaus Mellin and the Richard H. Driehaus Foundation for “Spent Shells.”

Lori Putnam
Lori Putnam

Recognized for her expressive brushwork, intelligent composition, and superb use of color, Nashville Tennessee native, Lori Putnam paints small to medium-sized works en plein airand creates large paintings in her studio. She travels extensively to paint, teach, and share her work around the world.

Prior to becoming a full-time, fine artist in 2005, Putnam owned and managed a graphic design agency for 13 years. In 2008 and 2009, she and her husband sold all of their belongings and traveled to the Italian countryside to live for more than seven months with the sole purpose of the painter’s self-study and artistic growth. A catalyst for Putnam’s artistic career, the concentrated work accomplished during that period culminated in an impressive breakthrough. Advice from artist friends Scott Christensen, Quang Ho, and Dawn Whitelaw, has further impacted the artist’s development and success.
Featured in numerous issues of American Art Collector Magazine, Plein Air Magazine, Southwest Art, Fine Art Connoisseur, and Art of the West, Putnam is recognized as one of the finest American Impressionists of our time. As an Artist Faculty Demonstrator for the Annual Plein Air Convention, she shares her philosophy and painting methods with its 700 attendees annually.
Lori is a member of, and has exhibited with many respected organizations including the Salmagundi Club in New York City, the Oil Painters of America, Laguna Plein air Painters Association, the California Art Club, Plein Air Artists of Colorado, and is past Vice President of the American Impressionists Society. Additionally, Lori participates annually in several invitational plein air events, and winning awards in Colorado, California, Wyoming, Florida, Georgia, and Ireland. Her studio work has also received many awards — most notably from the Salmagundi Club in New York City, the Portrait Society of America, The American Impressionist’s Society, and the Oil Painters of America. Putnam’s art is in the permanent collection at The Academy Art Museum in Easton, Maryland, the Jack Warner Collection, the collection of Plein Air Magazine, and in private and corporate collections, and galleries worldwide. She keeps a studio in Charlotte, Tennessee.

"Spent Shells" by Lori Putnam
“Spent Shells” by Lori Putnam

“As a Contemporary American Impressionist, I capture the character of a person, the uniqueness of a place, the color of time, and the relationship of things. Rather than merely copying, I use paint to interpret and to express. What interests me is rarely any specific subject unto itself. Color harmonies, rhythms, patterns, shapes, and my response to these elements excite me. Seeing the world in this way gives me the freedom to explore any subject. The end result, the art itself, engages its viewers inviting them to find their own, personal interpretations.”

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Interim pages omitted …
  • Page 7
  • Go to Next Page »

Footer

  • Home
  • About
    • Mission, Policies & Bylaws
    • Board of Directors
    • Presidential History
    • Frequently Asked Questions
    • History
    • OPA Staff
    • Contact Us
  • Membership Services
    • Member Login
    • Membership Information
    • State & Province Distribution For Regionals
    • Update Member Information
    • Membership Directory
    • Contact Membership Department
  • Events
    • Exhibitions
    • Online Showcase
    • Lunch and Learn
    • Virtual Museum Road Trip
    • Paint Outs
  • Resources
    • Brushstrokes Newsletters
    • Ship and Insure Info
    • Lunch & Learn Video Archives
    • Museum Road Trip Video Archives
  • Services
    • Sponsorship Opportunities
    • Scholarships
    • Critique Services
    • Workshops
    • Have A HeART Humanitarian Award
  • Online Store
  • Awardees
  • Blog
    • OPA Guest Bloggers
    • Blogger’s Agreement (PDF)
    • Comment Policy
    • Advertisement Opportunities

© 2025 OPA - Oil Painters of America · Design by Steck Insights Web Design Logo